Tag Archives: contemporary art

From The Studio of Life Arts Designs

Life Arts Designs is the collaboration of artists Lois Eder and Fanelle White. Lois and Fanelle have known each other since 2007, when Fanelle’s daughter was a student in Lois’ Special Needs class and Fanelle was an art teacher at the same school. They shared a common interest in the arts and Lois would visit Fanelle’s art classroom during her off periods, becoming inspired by her teaching and engagement. It was inevitable that they would become close friends. More than ten years later, they began to talk about retirement and a collaborative art adventure, and Life Arts Designs was created.

What do you do first when you get to the studio?

Lois: I like to go up to my studio that has large windows which let in wonderful sunlight and put on peaceful music to help calm my brain and inspire creativity.

Fanelle: I set up all my art supplies I will need for my vision of the artwork. I am very methodical in my art approach.

How many paintings do you work on at a time?

Lois: I put in all of my energy into a single painting so that I can continue on a single focus path.

Fanelle: I am blessed with being a very focused artist. Thus allows me to create a work in a timely manner which allows me to work quickly and focus on one piece at a time.

Do you have a dream project that you would like to work on?

Lois: Abstract work that includes a multi-media approach has always fascinated me. I visualize a large work with many ways that the viewer can connect to my work through texture, composition and color.

Fanelle: I am so fortunate that I have worked on so many projects both individually, in a teaching setting, and in group setting that I feel I have satisfied my need to dream. That said, I am always experimenting with new ideas and new collaborations.

If you could paint with anyone, who would it be?

Lois: Georgia O’Keeffe because I have loved her since high school!

Fanelle: Wow, what a question! I am humbled to work with any artist whether it is an ex-student or working established artist. It’s all wonderful.

What’s your favorite way of generating ideas and inspiration?

Lois: I talk to everyone wherever there is any form of art and compartmentalize all this information in different areas of my brain. My friends are always blown away by my ability to pull out any needed information and use it for inspiration in my artwork and sales of artwork.

Fanelle: I am so lucky to have a brilliant business partner, Lois, who has inspired and encouraged my professional art making career.

How has your art evolved over time?

Lois: In one word “age”. Age has its advantages with combining old experiences with new ones. I have learned from old mistakes and discovered new mediums which has helped me to grow as an artist.

Fanelle: Looking back on work I did years ago compared to what I am doing now shows a difference in genre, but not talent (hope that doesn’t sound boastful). I taught art for many years and before that I was an industrial designer. All that time I created for someone else’s purpose, not my own. Now I create beach scenes and am a new resident of the Jersey shore which reflects my happiness in beach life.

What do you like most about your work?

Lois: I am never quite sure of the exact outcome, and I love the resulting energy that seems to take on a life of its own.

Fanelle: I love to look back on my work and find myself smiling. I try to place many small stories within each work. This way, each time someone looks at the work they see something new.

What is one word that best describes your style?

Lois: Unexpected

Fanelle: Whimsical

What is your favorite time of day to paint?

Lois: I love the early morning light and am a very early riser with loads of creative energy.

Fanelle: I am not a morning person (coffee first before all else). That said, the best light to paint is late morning to early afternoon when the natural light helps me see all flaws and wonderful blend of colors.

Do you ever get “stuck” on a piece? If so, what do you do?

Lois: Taking a break from work is always helpful. I live near the beach and a long walk along the shore with salty air filling my lungs clears the blockage and helps me to refocus.

Fanelle: Oh my goodness, yes! I put the piece away for a while and think about what is bothering me for a day or two. Hopefully after I have come to a conclusion, I retry and apply my solution.

What is up next on your easel?

Lois: I like to work in series with a nautical or beach theme. The most recent series I completed was a sea life theme and I am now thinking about exploring landscapes inspired by my upcoming trip to the Alaskan wilderness.

Fanelle: I so want to play with a new concept of playing with a combination of perspective, color and light!

What To Read Next…

From The Lens of Thomas Tepstad Berge

From The Studio of Hayley Michelle

Design and Decor Trends We Can’t Get Enough Of

The images featured above are available in our Print-On-Demand collection. Some areas of our website are password-protected. If you are a member of the trade but don’t have full access to our website, www.thirdandwall.com, please contact us at customerservice@thirdandwall.com.

From The Lens of Thomas Tepstad Berge

Thomas Tepstad Berge is a photographer based in Stavanger, Norway, where he lives with his wife and 4 kids on the west coast of Southern Norway.

While he was given a disposable camera every summer when he was young to document his summer holidays, it was not until Thomas was 18 that he started filling his spare-time with capturing moments. Thomas started out making films, then gradually moved into timelapse photography before he settled down within still photography. He is a self-taught photographer who’s learned techniques and approaches to framing both the hard way and by reading books and articles, watching YouTube videos, etc. Thomas’ portfolio mainly consists of the landscape that you find along the west coast of Norway with deep fjords and steep mountains, long beaches and farmland, and surfing action in the waves. The common denominator for all his images is that he tries to capture the right light, whether it be the soft sunset light in a cloudscape, the powerful Northern lights on the night-sky, or the strong daylight illuminating the actions taking place on a surfboard. Every image brings Thomas back to that moment when he captured them, and if some of those feelings can be transferred to others who view them then he considers the image to be successful.

How would you describe your photography style?

I would describe my landscape and cloudscape photography as “dreamy”, as both the smooth style and the locations themselves are typically not your everyday view, but rather somewhere you would day-dream about visiting.

What are your typical photography subjects?

My typical photography objects would be landscapes, night sky, and surfers. What makes this interesting is the big span from well planned landscape shots to the very in-the-moment action photos in surfing, where both the equipment and approach is completely different.

Do you have a dream project that you would like to work on?

Landscape photography in Iceland or the Azores would be amazing. I would then sleep during the day so that I could capture the light during sunsets, night, and sunrise.

What’s your favorite way of generating ideas and inspiration?

While I do use planning tools to some extent, I actually prefer to go to a site and find the inspiration there and then through the camera lens. I find that the best angles and views are usually not the ones you think prior to being at the location, and often foreground elements like flowers, trees, and animals provide you with that missing ingredient for the perfect shot.

How has your photography evolved over time?

When starting out with photography, I was more centered around the classical sunset shots without many other elements playing together with the light to fulfill the image. Today I always have “something more” than a pretty sunset. I also very much enjoy the more difficult conditions (snow, rain, fog, etc.) as they often create more interesting images.

What do you like most about your work?

What I like most about my work is the joy that it gives me. I love to be outside with my camera, I love to process my images on the desktop, and I love to see the final images and share them with others.

What is your favorite time of day to shoot?

My favorite time is the sunset period (afternoon in the winter, almost midnight in the summer) as the light itself can make a dull scene become the most interesting of all.

What To Read Next…

From The Studio of Hayley Michelle

Design and Decor Trends We Can’t Get Enough Of

From The Studio of Ben Schneider

From The Studio of Hayley Michelle

Hayley Michelle is a Riverina, New South Wales-born artist who has spent time living within and loving parts of South East Queensland and Victoria. With a background in fine art and portrait photography, Hayley has been creating beautiful works in multiple mediums for the past two decades. She has been gathering up details of textures and tones over that time and has spilled them onto canvas to create a selection of unique and stunningly evocative work.

Now residing within beautiful Melbourne with her son, Alex, and her rambunctious bulldog, Bruno, Hayley works from her home, creating elegant abstract artwork, brought to life with such deliberate detail. Hayley is currently studying Visual Arts at The Royal Melbourne Institute of Technology where she intends to expand her knowledge and experience in the arts.

What do you first do when you get to the studio?

My first step is always find an amazing playlist to support my mood and the flow of creativity.

How many paintings do you work on at a time?

I have always worked on only one at a time. I love to be able to let the entire piece come to life, with an uninterrupted flow from beginning to end.

Do you have a dream project that you would like to work on?

I would love to create something large, a collection of floor to ceiling canvases in subtle hues with a lot of texture.

If you could paint with anyone, who would it be?

It is probably cliche, but Frida Kahlo would be my first choice. She was so unapologetically unafraid to simply create with so much passion. Her depictions of her life were so beautiful, but her courage as an artist to just paint without fear was truly so special.

What’s your favorite way of generating ideas and inspiration?

I am a true lover of nature and being outdoors, feeling the warm sun or the crisp cool air on my skin, catching the scent of spring or salty waves in the air. I am a lover of the moon and of beautiful sunsets. I draw a lot on my time living in beautiful Phillip Island, where the sky fills with candy tones over the bay to the east, as the sun sets behind in the west, and waves in the most beautiful shades of blue crash over ancient volcanic rock. I listen to music and close my eyes, and remember the textures, the tones, and mostly the way it feels to be there, and I do my best to convey that on canvas.

How has your art evolved over time?

I was once a pencil portrait artist, drawing tight, realistic portraits from photos. I loved the skill involved, but felt that my passion for creativity wasn’t being fulfilled entirely. I craved to create loose, big painted strokes on canvas, to express emotion and truly capture what it is I love the most. When I moved in this direction, it brought me such peace and my work truly came to life.

What do you like most about your work?

That it is an authentic expression of me.

What is one word that best describes your style?

Ethereal

Is there an idea you would like to explore?

I would love to explore with more deliberate shapes and more texture.

What is your favorite time of day to paint?

In the morning. I feel so fresh and inspired when I first wake, the new day is like a fresh canvas. I love being up early, sipping coffee, and painting in those quiet hours of the morning.

Do you ever get “stuck” on a piece? If so, what do you do?

I do. Over time I have learned to leave it. Nothing good comes from pushing a piece, so if it isn’t flowing , its not right. I will leave it be, and may or may not come back to it later.

What is up next on your easel?

I am currently working on a small collection of earthy, neutral, more textured paintings, again inspired by the natural world with the colors and textures of elements such as clay and pumice. I am excited for what is unfolding.

What to read next…

Design and Decor Trends We Can’t Get Enough Of

From The Studio of Ben Schneider

Less Is More: Embracing Minimalist Design

Design and Decor Trends We Can’t Get Enough Of

As we begin the new year, the design world continues to predict new decor, color, and style trends. In the past couple of years, our spaces have had to change alongside our lifestyles. Homes have become a place of both work and rest for many, and the current and forecasted interior design trends reflect that. Spaces are continually inspired by nature, bringing some of the outdoors in with shades of green, natural texture, and plant decor. People are also leaning into their own personal styles when decorating, whether it’s cozying up a space with warm modern neutrals or going bold with color and statement pieces. Because of the shift in how we’ve been using our spaces, people are redefining their styles and transforming spaces to fit their needs and bring joy.

Natural Connection

***featuring fine art photography by Nancy Crowell***

Interiors continue to be influenced by the outdoors, leaning very heavily into natural materials, earth tones, and sustainable design. Many companies, such as Behr, Benjamin Moore, and Sherwin Williams, have picked soothing blue and green hues for their 2022 Color of the Year choices. Designs highlighting sustainable materials and practices are becoming popular with a focus on eco-friendly living. Organic themes and natural motifs are presenting themselves in new renovations, especially as biophilic design continues to be on the rise. This is a particularly popular trend in hospitality design, where comfort, wellness, community, and sustainability are highly valued.

Even if you don’t dive head first into biophilic design, it’s easy to dip a toe in with botanical prints, hints of green, and landscape imagery. Interiors that feel connected to nature can create a calm and relaxing environment, perfect for this year.

The Key to Cozy

***featuring “Simply Stated II” by Ruth Fromstein***

This year, comfort is key and creating spaces that feel like being wrapped in a warm blanket is a big trend! Rooms decorated in calming neutrals, soft materials, warm woods, and curved accents & furniture can give you just the feeling. While it doesn’t have to be a minimalist space, these rooms gravitate towards clean lines and soft neutral tones. Decorating with wall art in sleek shapes, warm refined palettes, and natural elements helps to create a cozy room, but it’s easy to add your own style to find comfort in your space.

Celebrate Individuality

***featuring “Rocky Terrain” by Laura Van Horne***

With the shift in how people have been needing to use their rooms, creating more mindful spaces has become even more essential. There is a big trend toward creating unique, one-of-a-kind interiors that celebrate individuality. People are adopting bolder design styles, finding cool vintage pieces, and painting with brighter colors. Decorating in a way that brings joy has never been so important. As people have been redefining and redecorating their spaces, putting function first and repurposing existing pieces has become top of mind. This year, people are blending and adapting different design styles to create a cohesive space that reflects their own tastes and fulfills the needs of those using the space.

What to read next…

Less Is More: Embracing Minimalist Design

Show Your Walls Some Love: Why Wall Art Matters

Finding Tranquility With Soft Pastels

The Art of Motherhood

*“Fragrant Flowers” alt v 1 by Liz Jardine*

It’s no secret that mothers make the world go round! With Mother’s Day upon us, it’s time to celebrate all of the mothers & mother figures and everything that they do!

We especially wanted to celebrate our artists who are mothers, and we asked them to reflect on their role as an artist and a mom. Their beautiful responses share the ways in which motherhood has shaped and inspired their art, and how their journey as a mother and an artist may not be so different.

Corrie LaVelle

“The parallels of motherhood and artist are easy to draw. Both are the complete surrender of oneself. Both roles require stepping outside of ourselves and squarely facing the world. To stand as the bronze sculpture Fearless Girl does, with both hands on hips and modeling a strong woman to our sons and daughters. To act as a gate keeper showing bravery and strength, while balancing protection and promoting independence. To be a mother and an artist requires humility, and to confront our fears of failure as parent/artist. These roles require sacrifice and vulnerability. Both mother and artist can be fulfilling beyond expectation. Now as my children have grown to teenagers, I am beginning to see the rewards. To be able to take a few steps back and look at the fruits of my labor in my children and my art is the ultimate reward. To see a creation that I can be proud of makes the journey even more rewarding.”

Leah Rei

“Motherhood has been the most challenging and most rewarding thing I’ve ever done in my life. Now that I have a daughter, everything feels more significant. I want to show her that she can make something out of nothing as long as she puts her mind to it. Every time I paint a piece, it feels that much more important to pour my heart into it so she can see how rewarding it is to work with passion. I’ve always wanted to create pieces that were joyful. Now more than ever, I think it’s important to be a source of joy and compassion.”

BethAnn Lawson

“In my otherwise tidy house, my quiet hoarding lives in drawers. There isn’t a drawer in the house that isn’t stuffed full of my children’s art, created over the last 20+ years. I sometimes think to myself, “I literally have no more room for the art!” Then I stop to wonder how I could ever live without it all. Fortunately, growing up hasn’t put a dent in the young creatives I’ve nurtured into this world. My oldest, a 23 year old college student, has a pen and ink drawing on the refrigerator at this very moment. It’s partly my fault……. I hope, selfishly. It’s at least partly my fault that they continually think outside the box; never cease to amaze and astonish me with their ideas; delight me with their fresh young minds and their pencils and brushes and paints and photos and music and little films of road trips and backyards. How boring life would be without art. How lucky I am to be inspired by the very ones I hoped long ago to inspire.”

Laura Van Horne

“Motherhood is all I have ever wanted. Being an artist is all I have ever wanted. Having both of these things in my life feels like such a dream. When I first was pregnant with my son, I was so prolific, painting day and night with worry that once he was born , I would have to hang up my “artist” hat for a very long time. I felt devastated to tuck all my art supplies in the garage, but at the same time absolutely elated to turn my focus on my new little one. But my mind would not let go of painting. As time went on, I slowly snuck supplies back into the house and found ways to paint when he napped or at the end of the day. Eventually I had a mini easel set up next to mine and we would do our own projects next to each other. It is funny, I went through this same pattern with baby #2 and #3. I thought “who on earth can possibly paint with 3 little kids at home?”. However, if your passion is strong enough you will make it happen. I feel like motherhood has made me a better artist. I have been more productive with the time that I have, and these kids have given me so much inspiration in many ways. I have used images of my daughter in a recent series of work, and have used her poetry in my collage pieces. My son constantly collects objects or shares ideas for my mixed media pieces. These kids are just an extension of me and a little bit of them is in every painting I make. I feel so fortunate to get to live such a full life.”

Ruth Fromstein

“The ART of MOM: A new blank canvas, ready for layers upon layers of color, texture and movement, figuring it out as I go, working from my heart. Taking risks with love and passion, embarking on a journey of meaning and discoveries in the process. Learning when to take action and when to “let it be”. Making interiors come alive! I want my contributions as a mother and artist to lead to unexplored horizons and endless layers of a satisfying life.”

Julie Denise

“I didn’t begin painting until after having my children. I was 41 when I bought my first canvas and set of oil paints. I’d always drawn a lot growing up and wanted to paint, but was fearful I wouldn’t be good enough, or that I wasn’t a “true” artist, and so put it off. It was actually having my kids that unleashed my confidence and creativity. Amazed by these funny, beautiful beings that came from my body, I felt I had to continue creating!”

Wishing mothers of all kind a very happy Mother’s Day!

From The Studio of Roberta Dyer

We are excited to welcome our newest artist Roberta Dyer to Third & Wall! Roberta grew up in Atlanta, Georgia. Spending time at the High Museum of Art and going to the fledgling Piedmont Park Art Festival, she imagined her paintings would one day hang among the artists she so admired.

She attended Vanderbilt University, earned her BA in Art History and returned to Atlanta after graduation where she continued pursuing her passion for art, taking classes at the High Museum and Georgia State University. Moving to San Diego in 1971, Roberta took art classes as time would allow and has since enjoyed many forms of expression from sculpture to copper enameling, oil painting to mural assignments. Today, she focuses on non-representational paintings and figurative subjects.

Roberta’s art is best described as expressive, whether figurative or abstract. She uses a combination of bold color and mixed media techniques to present her subjects in unusual ways.

“I am constantly pulled by two loves–painting figures and painting abstracts. It makes me happy to work with the push and pull of these two disciplines. I want to explore how design and pattern interact to make a realistic subject more abstract and enhance the theme of the painting. For me, the process of painting involves adding and removing and editing as I go along. If something doesn’t work, I simply paint it out and go in a different direction. I don’t try to paint likeness, that is a task for portrait artists. I use figures and animals as shapes in a painting and my intent in these paintings is to portray animals and humans as survivors–vulnerable but strong. I also love pure abstraction using mixed media along with acrylic paint.”

What do you first do when you get to the studio?

Whether I am beginning to paint or just visiting my studio before going back to it later, I take this time to look at my works in progress and try to decide what my next creative steps should be. Then I might clean up a bit and organize my supplies.

How many paintings do you work on at a time?

I work quickly at the start of a painting so I like to work on two or three paintings at a time. While one is having some “drying time” I work on the others. I also find that working on several pieces at once keeps me from over-focusing on one and getting lost in the minutiae too early.

If you could paint with anyone, who would it be?

This is a hard one because there are so many masterful painters I would choose. I admire the work of Turner, Picasso, Lautrec, Diebenkorn, Manet, Modigliani, not to mention the wonderful men and women of the Abstract Expressionists. But if I had to pick one, it would be Matisse. His influence on modern art has been profound with his flattening and simplifying of his subject matter, his bright colors, his use of patterns and lines and his brilliant compositions. There is something that can be learned by every artist working today.

“There is something that can be learned by every artist working today.”

What is your favorite way of generating ideas and inspiration?

Two ways work best for me when I am casting about for ideas. Working toward a particular theme is one way, particularly when there is a deadline for a show, and the other is to decide on a project or subject or theme and then do a series based around that idea. Or I might find a new material that I like and experiment with that for several paintings. I am currently in love with ArtGraf water-soluble pastels.

How has your art evolved over time?

I’ve been painting for years and understand looking back that the best way to improve or evolve is to work really hard. I’ve taken many workshops and classes- some valuable and some not so much- and have learned from some brilliant artists and teachers. Taking that information and applying it to my style and vision has helped me grow. My confidence has grown over the years as has my skill and that has allowed my style to emerge.

What do you like most about your work?

I have always admired artists who are not afraid to have their “hand” evident in their work, and I believe that I have achieved that in my paintings. I like that the emotion of my subject matter, whether real or abstract, shows through. People say that my work is expressive and I appreciate that.

What is one word that best describes your style?

Expressive.

Is there an idea you would like to explore?

My life long goal as an artist is to merge realism with abstraction in a unique way. No matter the painting, that is always in my mind.

What is your favorite time of day to paint?

I find that I am the most focused in the afternoon. My mind is more settled after other commitments have been accomplished. I have more energy in the mornings but my mind is chaotic.

Do you ever get “stuck” on a piece?

I am an intuitive painter rather than a planner, so it is safe to say that I get stuck at some point on every single piece! There are several ways I can move forward–I can stop working and not look at the piece for a day or two, I can go over my “Finish” checklist that helps me evaluate values, compositions, line, shapes, etc. One of the most effective ways is one I learned by taking a workshop from Jeannie McGuire. She said that when she is stuck, she gives her painting a story and that then she will be able to move forward. I have found that to be a sure and fun way to get unstuck.

What is up next on your easel?

I have been working on a series of 36×48 paintings of coyotes and told myself that I should do five. I have completed 3 1/2 so far and am trying to move ahead to finish number 4. I have also begun working on a series of large abstracts using the ArtGraf water-soluble pastels and am loving the process. I’ll always circle back to painting figures and animals too.

What To Read Next…

From The Studio of Patti Mann

Staying Grounded With Warm & Earthy Hues

Go Wild: Animal Decor

From The Studio of Patti Mann

Get to know Third & Wall artist Patti Mann! Patti was born in Seattle, Washington but grew up in Los Angeles, California. She also lived in Colorado, Tennessee, and Ohio, and currently resides near Buffalo, New York.

Patti has been drawing on every available surface ever since she could hold a crayon, and has always known that she was first and foremost an artist. She majored in Fine Art at Santa Monica College in Santa Monica, CA, and attended the Otis Parsons Institute of Art in Los Angeles, but family obligations drew her onto a different path for many years. She never stopped doing art while she raised a family and worked a variety of jobs, including (but not limited to!) data entry in a cancer research institute, a horse groom for a well-known Malibu riding stable, a racehorse hot walker at Hollywood Park Racetrack, receptionist, executive assistant, production artist and marketing manager. For the last 16 years Patti has been a Production & Creative Specialist with Third & Wall Art Group, of which she was a founding member.

Patti’s preferred media currently are watercolor, graphite, and pen & ink, but she loves to explore mixed media, acrylics, and occasionally oils. She has exhibited her work in group and solo exhibitions in the Nashville, Tennessee area. Commissions keep her busy, and her works appear in numerous private collections. She has illustrated the book “A Journey Worth Taking: A Collection of Animal Stories” by Norma Vermeer.

What do you first do when you get to the studio in the morning?

Since my studio is actually my front room, I make some coffee, get some atmospheric music going on Pandora (usually lo-fi, Celtic or Viking music), do a few warm-up stretches (not really), brush my cat, walk my dog, throw some peanuts outside for the squirrels, waste time on social media, and when all other procrastinatory options have been exhausted, I start making art, usually just minutes before I have to go to work…

How many paintings do you work on at a time?

I always have several paintings going at once, in addition to several that I started years ago sitting unfinished and lonely in a dark, forgotten corner. Some day, some day.

Do you have a dream project that you would like to work on?

I have far too many dream projects. I dream of illustrating children’s books, painting giant glorious murals, painting wondrous things on wood furniture, painting portraits, and creating rich, compelling horse, botanical, insect, closed world and animal paintings that exist somewhere between realism and invention.

If you could paint with anyone, who would it be?

I would love to paint with Third & Wall artist Liz Jardine so that I could wonder at and absorb some of her incredible techniques and skills, rich artistic vision and astounding prolificness. I’m also currently into Charles E. Burchfield (b. 1893 – d.1967), a Western New York watercolor painter, who painted amazing, interpretive watercolors of his beloved Nature, and of daily life. He didn’t aim for photographic realism, but strove instead to capture the emotion and feeling of his chosen scene. His style is unique and unmistakable.

What’s your favorite way of generating ideas and inspiration?

I love to get outside into Mother Nature and get really up close and personal with leaves, bugs, flowers, and all the mysterious macro-worlds that exist outside that no one ever notices. Sometimes I browse Instagram and Pinterest for ideas – there’s an incredible treasure trove of art out there that offers inspiration and motivation. If I’m feeling really stuck I will sometimes draw from one of the many drawing prompt lists available online to lubricate my imagination. I occasionally take online painting and creativity tutorials (but I never finish them).

“Art classes, museum and gallery visits, and meditation are other tools that help me access the great inspiration bank. The best way is to simply quiet one’s mind, engage in mindfulness and the wonder of Right Now, and open up to the vast source within and without.”

How has your art evolved over time?

I’ve evolved from tighter realism to a more flowing, intuitive painting style that still incorporates a good underdrawing and some representational aspects. About ⅔ representational and about ⅓ transitional!

What do you like most about your work?

I like that my work evokes not just a visual object, be it an animal or a person or a flower, but the essence and life of that object. Simple, yet it speaks.

What is one word that best describes your style?

My style varies depending on the type of art I’m making, but generally I’m a stickler for a good underdrawing, which is the framework for the painting that fleshes it out. If the drawing isn’t good, the painting isn’t going to look right. Currently with my watercolors I’m combining realism with a more loose and painterly flair, and I’ve been experimenting with adding metallic foils to my watercolors.

Is there an idea you would like to explore?

Something I’ve been thinking about is how miraculous urban wildlife is – the everyday animals we ignore daily that live and survive around us in abundance. If you slow down and simply observe, you will see the beauty, struggle and fight for life in each creature – the glorious iridescent neck feathers of the common city pigeon, the agility and grace of the squirrel, the cleverness and intelligence of the raccoon, the affability of the adorable opossum, the industriousness of the tiny vole…I want to find a way to paint and honor those urban animals that many of us consider pests, ignore, or even hate. I have some ideas. Now to find the time!

What is your favorite time of day to paint?

I’m definitely an early-morning person, that is my most productive and creative time. I work a full-time job during the day so an hour or two in the morning is my most precious time I can set aside to create, experiment, and dream.

Do you ever get “stuck” on a piece? If so, what do you do?

I usually just put it away and forget about it for a while, and work on other projects. I can usually come back to it days or weeks later with a pair of sparkling fresh eyes. Watercolors are especially touchy – you have to be much more careful with them, unlike the freedom of painting with acrylics – if you go too far with applying watercolor pigment it’s harder to reverse and alter it like you can with malleable and quick-drying acrylics. If this happens, I usually just end up cutting up the paper for scraps or recycling it.

What is up next on your easel?

I’m pondering creating some fish, bird and other animal paintings and incorporating gold, copper and silver metallic leafing. I’m also experimenting with some yoga figuratives, and more contemporary nude figures. Also, I’m percolating some fun juvenile art.

I’m open to more ideas – what do you want to see me paint for your projects or markets? Let me know in the comments!

What to read next…

From The Studio of BethAnn Lawson

Less Is More: Embracing Minimalist Design

Staying Grounded With Warm and Earthy Hues

Show Your Walls Some Love: Why Art Matters

*featuring “Red Path” by Laura Van Horne alt v 1*

Have you ever looked around your furnished room and thought, “something just seems to be missing”, then your eye catches the empty spot on your wall? Chances are you saved your wall decor for last and now need to fill that blank space for your room to feel complete. It is easy to brush off the art selection process as an afterthought or the finishing touch, sometimes not thinking about it until everything else in your design has been artfully executed. But wall art can be an integral part of your design and can transform the look and feel of your room. Choosing wall art is an opportunity for self-expression that, we would argue, should be considered in the earlier stages of the design process. We want to share a few ways thinking about wall art can change the way you approach interior design and styling!

Make It Pop

Artwork is a great way to bring color and texture into your space! Finding wall art that you love can help you nail down your color scheme, which can be one of the hardest parts of the design process. Art can tie in accent colors, bring in a pop of color, or help blend your palette to ensure that your room has a cohesive feel. Wall decor can also add more texture and depth to your space. Mixed media artwork, chunky paintings, or artwork on a textured substrate can bring creative interest and make your space pop!

Make It Yours

With many different styles and mediums, wall art can be a wonderful way to add your own style and character to your room. Incorporating your own personality is key to making a space feel like home (even when you are not at home), and artwork can help create a unique design that sets your room apart. Hanging fine art that encapsulates the style of your space can help set the mood, whether you want to reenergize or relax. Artwork has the power to define or enhance your design style and reinvigorate your room!

Find Your Center

Hanging artwork can also provide a focal point that centers and balances your space, and makes a statement. It can complete your design and give your space that finished look that you may have been missing. The right artwork can transform your room, make it feel uniquely your own, and bring beauty into your space.

*featuring “Momentum Synergy” by Jeff Iorillo*

So don’t wait until the very end to choose artwork for your walls! Finding the right fine art pieces can shape the way you design your space, from the colors you use to your design style. Incorporating the perfect art piece can help you create the energy and ambiance you want your room to have!

Finding Tranquility With Soft Pastels

**featuring “Life In Balance” by Dina D’Argo**

We could all use spaces that bring some calm and comforting energy, and decorating with tranquil pastel tones is an easy way to keep your interiors feeling effortlessly serene! Forecasted color trends and multiple paint companies’ ‘Color of the Year’ announcements for 2021 also reflect the growing popularity of this soothing color scheme. The predicted palettes for this year are full of light and fresh pastels, cool blue hues, and muted earth tones. These soothing shades are perfect for any design style, whether you use them to paint your wall or add accent pieces in these soft and dreamy hues.

**featuring “Regatta Time” by Lisa Ridgers**

These calm and inviting colors are great for a rustic-inspired kitchen, a modern bathroom, and, especially, a relaxing bedroom. They can create comfortable & sophisticated spaces while still adding color and showcasing your unique style. As our world becomes more technologically focused, it’s no surprise that connection and places of comfort are becoming priorities. Incorporating tranquil tones like dusty pinks, botanically inspired greens, soft blues, and light, warm neutrals in your color palettes will brighten and balance any residential or commercial space. Add some woven and natural textures for extra depth, accent your tranquil space with darker hues for more drama, or pair your subdued pastels with soft curved edges for maximum comfort. Decorating with artwork in these soft and relaxing hues is an easy way to bring those serene vibes to your space!

From The Studio of BethAnn Lawson

Meet our new artist BethAnn Lawson! BethAnn is a modern-impressionist painter who lives and works in Seattle, Washington. Born in the San Francisco Bay Area, she was taught by and is heavily influenced by her surrealist painter-father, who was a founding member of the San Francisco Street Artist Association. After graduating from the Institute of Design in San Francisco, she moved to Seattle and spent nearly three decades as a textile designer, graphic designer and illustrator, but returned to her love of painting after the passing of her father in 2011.

Her current work blurs the edges of both figurative and abstract, creating tangible objects and memories from unconventional, yet familiar shapes and custom colors.

In her artist statement, BethAnn writes, “I can lose myself for hours as I take apart the images and carefully put them back together emphasizing colors, rhythms and patterns. I hope to capture little glimpses of life containing whimsy, the secrets of strangers and the striking architecture of both nature and man.”

What do you first do when you get to the studio in the morning?

After deciding which of the handful of WIPs “matches the day”, I put fresh water in the rinse jar, find the right playlist for the mood, tear off yesterday’s dried up pallet and… simply get going. I don’t have much of a ritual beyond that and coffee. Time to paint.

How many paintings do you work on at a time?

I am physically painting on only one canvas on any particular day. There really isn’t room for more than one easel in my studio because I’m using distances to constantly check on composition. Also, as I never use color straight from the tube, it’s economical to keep to just the one painting going for that day. There may be 4 or 5 pieces that are half-finished at any one time though.

Do you have a dream project that you would like to work on?

Yes, it involves fibers. I’d like to give myself enough time to truly build something with my hands, beyond a brush. I’ve definitely experimented and journaled ideas, but I haven’t yet committed to it’s full potential. It’s still very much percolating.

If you could paint with anyone, who would it be?

I paint alone. Always have.

What’s your favorite way of generating ideas and inspiration?

I walk daily and take photos of anything I find remotely interesting. Whether it be in the noise and shadows of downtown or on the shores of the Puget Sound, I snap photos of unsuspecting people and places. New unexplored places such as vacations are always rich material, but this year of Covid-19 has made that a bit tough.

How has your art evolved over time?

I used to be an illustrator, so my work was always very figurative. Honestly, I didn’t often find much innovative joy in that, as it felt too restrictive, trying always to replicate something exactly as it appeared to the eye. Several years ago, I wadded up a few of my reference photos in a fit of frustration. Later when I uncrumpled them, I realized the wild creases I made in those photos distorted all the lines that nature was trying to show me. I now try to capture tangible images using just color and abstract shapes.

What do you like most about your work?

I love color. Besides ivory black and titanium white, none of my colors are straight from the tube. It may be my favorite part; the mixing and creating. Secondly, it’s the challenge of creating a known object using abstract shapes. I use word “challenge” with… affection.

What is one word that best describes your style?

I’m going to hyphenate so I can cheat and use two words: modern-impressionism.

Is there an idea you would like to explore?

I haven’t done many landscapes or forests, but I’m often asked about it. The cities and the people hold some special kind of secrets I find too appealing. Those seem to be the ones always asking to be painted.
Alternately, I go for walks through the quiet trees to think and be alone. They never ask for anything.

Do you ever get “stuck” on a piece? If so, what do you do?

Yes, I set it aside and work on something else. Maybe it turns out to be a paperwork day. If I’m stuck… that’s it. It’s better to come back to it when it’s ready to be finished than to force it. I’ll eventually dream about it and finish it a couple weeks or more down the road. That usually involves correcting color. I do really obsess about it.

What is next up on your easel?

More beaches, water, using softer, more neutral colors, and honestly anything that might impersonate itself as a vacation. It’s been a very dry, isolated year. There are countless things I shall never take for granted ever again; the power of water sitting nearly first among them.

From The Studio of Ruth Fromstein

Meet one of Third & Wall’s newest artists, Ruth Fromstein! While currently residing in San Diego, Ruth has had a close relationship with art since picking up a brush and canvas while a child in small-town Wisconsin. Creating has been the only constant in Ruth’s life and an important form of self-expression.

While her Bachelors degree is in Vocal Rehabilitation, it was the various art classes that inspired her. She experimented with drawing, design, art, metals, and weaving. Her art took inspiration from her love of dancing, hiking, backpacking, and nature, imbuing her work with movement, life, and a palate as varied as an expansive field of wildflowers gracing the horizon. Ruth is constantly experimenting with new materials and techniques striving to embody in her work the beauty and excitement of the world she sees around and within herself. Creating images that dance and play in the viewer’s imagination, her abstract paintings have been described as anything from tranquil and relaxing to thrilling and startling. She embraces her brush as her dance partner, and, with it, swings across the canvas in a chorus of control and spontaneity. While Ruth paints with a goal, she is always excited to stumble into new territory as the materials she experiments with lead her in unexpected directions!

What do you first do when you get to the studio in the morning?

I take a deep breath and evaluate what I had done the previous day, looking at my work with fresh eyes.

How many paintings do you work on at a time?

I like to work on multiple paintings at one time, usually at least 4.

Do you have a dream project that you would like to work on?

It would be cool to paint a mural.

If you could paint with anyone, who would it be?

Oh my goodness… who to choose? A master like Monet or Angus Wilson, or a painter I would like to take a class with? How about my incredibly talented friend from high school, Leslie Stewart? I choose them all!

What’s your favorite way of generating ideas and inspiration?

I frequently get inspired when I go hiking. I am influenced by my surroundings as well as my own thoughts and feelings.

How has your art evolved over time?

My work continues to evolve as I experiment with new techniques, colors, and tools. I enjoy learning from other artists who introduce me to new processes then I like to take the information and apply it to my paintings in interesting ways.

What do you like most about your work?

I like that my paintings pull the viewer in and take them on a journey. I enjoy looking at my paintings, and every time I do, I see something different.

I like the variety of work that I create. I am attracted to color, texture and movement.

What is one word that best describes your style?

Only ONE? Contemporary

Is there an idea you would like to explore?

My head is exploding with ideas, however, I need to see if these concepts will successfully translate onto my canvas. Follow along and see what emerges!

What is your favorite time of day to paint?

My mind is fresh in the morning, and I like the natural light that shines through my windows.

Do you ever get “stuck” on a piece? If so what do you do?

Oh, yes! Sometimes I need to tuck a painting away and pull it out another day, or rotate the orientation. Other times, it is best to simply “paint over”.

What is next up on your easel?

I have one of those “tucked away” paintings waiting for fresh inspiration, as well as an abstract landscape and floral.

The images featured here are available in our Print-On-Demand collection. Some areas of our website are password-protected. If you are a member of the trade but don’t have full access to our website, www.thirdandwall.com, please contact us at customerservice@thirdandwall.com.

Redfin Blog Feature: Revamping Your Room

We were excited to participate and be featured in Redfin’s blog post “15 Tips to Revamp Your Room From Dull to Dazzling”! Here’s a little sneak peek of the article and our tip for transforming your bedroom using artwork. And check out more tips in the full article on Redfin’s blog!

15 Tips to Revamp Your Room From Dull to Dazzling

April 30, 2020 – By Julia Weaver

Your bedroom is one of the most important rooms in your house and the one you spend most of your time in. Even though few guests will step foot inside, it’s important to give your space a refresh to fit your style and become your personal getaway. So even if you live in Portland, New York, or anywhere in between, you’ll be able to escape the chaos of everyday life. This doesn’t require a complete remodel. In fact, incorporating things like well-placed art, bold wallpaper, and your favorite materials and colors will do just the trick. Looking for some inspiration? We’ve gathered tips from experts on how to create the room of your dreams.

Incorporate artwork into your bedroom

Refreshing your bedroom can be as easy as switching out the artwork in your space. Add new color, texture, and style to your room by hanging a unique, large-scale art piece or pair different pieces together to curate your own gallery-styled wall. For an even bolder transformation, cover one or all of your walls in a favorite print with wallcovering. –Third & Wall

Originally published on Redfin

And check out our blog post “Finding The Best Pieces For Over Your Bed” for more decor inspiration!

From The Studio of Stacey Pollard

Meet our new artist, Stacey Pollard! Her paintings usually involve landscape, either as a study of shapes and compositions or of structures in the landscape. Since moving to Seattle, Stacey has been drawn to the varied architecture and light of the Pacific Northwest. Her paintings start with photographs as reference, and she quickly edits the composition, adding layers and materials. Building up the textures and glazes is an exciting process for her every time! Stacey likes to walk the line between an accurate depiction of what she saw and a more emotional reading of the scene.

What do you do when you get to the studio in the morning?

I stop on the way and get my coffee–have to have it in my hand even if I don’t drink it. Then I turn up the heat and get my playlist going.

How many paintings do you work on at a time?

I usually have two or three going at once, all at different stages.

Do you have a dream project that you would like to work on?

Not really–I’m having fun with what I’m doing now.

If you could paint with anyone, who would it be?

I would have to go back in time to hang out in Richard Diebenkorn’s studio–I’ve always admired his work.

What’s your favorite way of generating ideas and inspiration?

I take photos when I’m out and about–whatever scene catches my eye. Then I take them back to the studio to find the shapes and compositions–different ideas appeal to me at different times. Once I get a painting started, I put the photo away and just refer to the painting itself–that’s when the really exciting stuff happens.

How has your art evolved over time?

I started out as a painter and printmaker–I think my paintings are similar to the collagraph plates I used to make. I still like to layer on the textures and colors. The subject matter has changed a bit, but they still start with something representational, and then I abstract them.

What do you like most about your work?

I like that they are interesting to look at up close and interesting to see from far away. The texture is fun to create, and the layers of glazes and brushwork also seem to hold up.

What is one word that best describes your style?

Abstract landscape–not one word but that is the best I can do!

Is there an idea you would like to explore?

I’m always looking for the next great composition–one that really resonates when I see it. Those are the unforgettable images or scenes I know I have to paint.

What is your favorite time of day to paint?

I like to paint in the afternoon.

Do you ever get “stuck” on a piece? If so, what do you do?

Of course! When I can see it starting to happen, I have to set it aside and let it simmer for a while. Sometimes I just have to give up and start over, but then again some of my best pieces were saved at the last minute!

What is up next on your easel?

I’m working on three pieces at the moment–I’ve been experimenting with underpainting and some different textures. It’s hard to take my time on these–I’ve got so many ideas I want to try!

Color Trends: Deep Blue Hues

***featured artwork is “Endless Muse” by K. Nari***

As a new year begins, we always look forward to the predictions of new décor and design trends. In forecasted color trends, Pantone announced their Color of the Year 2020: Classic Blue, and we are excited for this “timeless and enduring blue hue”! Blues are known to be calming and comforting, and the deep shade that Pantone has chosen for this new year reflects just that. Sherwin Williams also selected a moodier navy blue, Naval, as their color for 2020. Looks like having the blues isn’t such a bad thing after all!

Changing out your artwork is an easy way to refresh your space and try out these new colors and interior trends. Because of their versatility, rich dark blues are taking on the role of a neutral this coming year, so don’t be afraid to decorate with them in bolder ways. These striking navy hues have relaxing and tranquil qualities, and they easily pair with any materials or colors you might already have in your space. From a luxe look to a cozy interior, these trending shades of blue can transform any design style!

From The Studio of Kippi Leonard

Meet our artist, Kippi Leonard! Kippi’s vibrant aqueous surfaces are the results of pouring inks that have been custom mixed onto canvas, panel, and linen. The pouring process is her way of largely abandoning compositional control and remaining open to spontaneous occurrences with her work. Through color, luminosity and light reflection, her work provokes calm and, simultaneously, deep introspection. Inversely, her mixed media work is structural and largely black and white with expressive mark making and an occasional allusion of color. Both methods of creating reflect her veracious essence. After an extensive career in interior design, Kippi continues the exploration of materials through her experimental and abstract work in oil, encaustic, collage and watercolor.

A Pacific Northwest native, she now resides in Palm Desert, California a place that nurtures her comprehensive approach to creating art.

What do you first do when you get to the studio in the morning?

The first thing I do when I arrive at my studio each day is to turn on music, something that will influence the tone, composition, and mood of my current series of paintings.

How many paintings do you work on at a time?

I typically work on 2-4 paintings at a time, with several in ink and a large acrylic mixed media.

Do you have a dream project that you would like to work on?

My current dream project has been opening my own studio/gallery/workshop space in Palm Desert where I live. There is a street revitalization program currently in construction where my studio is located which is being built to provide the community with an art scene, community events, music festivals, dining, and gathering. Its going to be amazing and I’d like to be involved in its vision and implementation.

If you could paint with anyone, who would it be?

I would have to go back in time. I just read the book “Ninth Street Women” by author Mary Gabriel. I could see myself painting for a day with Joan Mitchel or Grace Hartigan. Mostly, I’d like to be a part of their unapologetic gusty innovation in the post-war modern art world. Truly inspiring!

What’s your favorite way of generating ideas and inspiration?

When my creative tank is nearing empty, a good adventure clears my mind and, being an amateur photographer, I always return with photo inspiration. Travel, hiking, visiting new out-of-the-way places of interest feeds my soul. Museum, gallery, and art shows always excite my brain and fuel me to start new pieces. Occasionally, a color I see somewhere in a crowd takes hold and a new idea begins to form.

How has your art evolved over time?

I experimented in so many mediums when I first started to learn about art and its creation. I found my voice in my ink work and in my mixed media work, and I’ve realized I cannot do everything but I can challenge myself within a few favorites. I am always trailblazing ways to use the inks. For me, it’s always being willing to risk. I love overcoming impossibility within my work.

What do you like most about your work?

I like how it evokes emotion in the viewers. I’m often being told stories of what a person sees within my work. A mother holding a child, a sunrise in the mountains, a female silhouette; that it resonates in their heart and mind; that they don’t want to look away. My story becomes part of their story when they bring my art into their home. I want to connect with people and this is the way I do that.

What is one word that best describes your style?

Modern-Neutral

Is there an idea you would like to explore?

I have lots of ideas to explore. My current idea is blending contemporary elements with historical figures using my inks, collage, and acrylic in an abstract way.

What is your favorite time of day to paint?

It depends on what I’m painting. I work with inks early in the morning when I’m energized, as they require complete attention with music that is upbeat and I can dance in place a bit while waiting for the inks to dry. I work on my abstract mixed media pieces in the late afternoon and evenings, usually with soft jazz music playing.

Do you ever get “stuck” on a piece? If so, what do you do?

I do get stuck and with those pieces I either push too far or they go in my “closet of unloved art” until a fresh idea hits me. Then I begin again and they evolve into some of my most favorite pieces. Occasionally, I have my husband look at a piece and give me his “feel”. It re-inspires me to go in a new direction or validates I’m on the right track and I just needed to push through.

What is up next on your easel?

Currently a 48 x 72″ ink piece for a commission is on the table and a new collage mixed media is on the easel waiting for the first brush stroke.

Trend Inspiration From New York Fashion Week

**featuring “An Open Heart” by Liz Jardine alt v 1**

New York Fashion Week 2019 wrapped up in September and there were some runway trends for the upcoming year that caught our eye. It’s no surprise that the relationship between fashion and interiors is a close one, so these fashion trends can easily be applied to create unique spaces. We wanted to highlight a few of our favorite runway styles and how they can find a home in your wall decor!

BOLD: Prints & Patterns

Bold patterns are trending on the runways and on our walls! From polka dots to rose prints to black & white graphic prints, we are drawing from this high-fashion inspiration and predicting bold patterns to be big in wall decor this coming year. Bold printed wallpaper and wallcovering have become very popular, and it looks to be an interior trend that will continue to grow in 2020.

BRIGHT: Citrus-Inspired Colors

Citrus-inspired colors are brightening up wardrobes and interiors! Refreshing colors such as lime green, tangy tangerine, and not-so-mellow yellow made a statement on the catwalks and are sure to make a splash in decor for a bright and colorful 2020. Decorating with these trendy highlighter hues can be as easy as hanging the perfect eye-catching artwork on your walls!

CLASSIC: All White Suit

The all-white suit continues to be a chic fashion staple and this past New York Fashion Week, designers were taking it to the next level with sultry cutouts and unique silhouettes. This clean, classic, and structured runway trend took a more relaxed, stylized vibe this year and it can easily transition to interior design and decor. Whether you want an all-white space or just some neutral decor, wall art in this pared-down color palette can be the stylized, unique accent piece you need!

The fashion and design industries are continually influencing each other and we love looking to the fashion world for inspiration!

Contemporary Figurative Art

**featuring “Remembering You” by Lisa Ridgers**

Are you looking to make an impact with your wall art? One popular décor trend that can do just that is contemporary figurative art. In a variety of artistic styles, figurative artwork can add whimsical flair or a modern touch to any interior. While it doesn’t always mean artwork of people, figurative art often takes human form. With its representational approach, figurative imagery can be simple line sketches or bold abstracted figures. We love how contemporary figurative art decor can add fresh takes on classic subjects that feel familiar!

Figurative art can elevate a space and a female figure can add a feminine touch. One room that is a perfect spot for artwork of figures, and even nude art, is the bathroom. This classic art theme, whether realistic or impressionistic, can complement any design style!

Go Wild: Animal Decor

**featuring photography by Marika Moffitt**

***“Leopard” alt v 30 by Ruth Fromstein***

Adding animal prints and imagery to spaces continues to be a popular decor trend, and one that we love! This trend can fit any design style and can be as bold as you want. Neutrally-toned western-inspired imagery can complete a modern farmhouse or boho design; a bright watercolor sea creature is a sweet addition to any wall, and; wild life artwork can be paired perfectly with fierce animal prints and saturated tones. Celebrate your own pet by hanging similar artwork of them on your walls or just add imagery of your favorite animal!

Horses and Farm Animals

It’s no surprise that horse imagery is one of the most popular animal decor trends. Whether your space is sleek and modern, rustic and Southwest-inspired, or a cozy farmhouse feel, images of horses, longhorns, deer and farm animals can add the finishing touches to your design. You are sure to find animal artwork that suits your style and color palette!

Under The Sea

Artwork of ocean life can bring a coastal decor element to your room. With imagery in different styles, sea creatures can add some relaxing or playful vibes to your design. Mix them with a nautical-inspired space, a modern style, or a calm neutral space for a splash of the sea!

Wild Life

Take a walk on the wild side! Wild life imagery can add a modern, global-inspired touch to your walls. Mix it with a zebra print rug, deep jewel tones, or a mostly-neutral room for instant glam or a subtle cool flair.

Pet Friendly & Feathered Friends

The animal decor trend would not be complete without including artwork of dogs, cats, and birds. The decor of furry and feathered friends can be a sweet addition to any space. Whether you are inspired by your own pet or not, hanging some cute animal imagery can brighten your wall!

Decor Trend: Moody Photography

Fine art photography can be just what your walls need, and one decor trend that has caught our eye is large statement ‘moody’ photography. High-contrast photographs of landscapes, vistas, and still-life subjects are adding extra drama and sophistication to spaces. Typically in muted tones or black and white, moody photography can act as a neutral piece in your space, despite being so striking. We love how the vivid contrast in soft neutrals makes these images both bold and understated.

Black and white photographs are a classic wall decor trend that can make an impact in any design style and space. The moody style of large-scale photographs can add a contemporary element to your interiors and complete your design. Whether you are designing with a monochromatic look or want an eye-catching neutral art piece in a colorful room, moody photography can add a stunning statement to any room!

A Slice of Paradise: Modern Tropical Decor

***featuring “Palm Leaves”, “Agave”, and “Bird of Paradise” by K. Nari***

It is officially summer, the perfect time to embrace palm prints, beach scenes, and the tropical-inspired decor trend! Although this isn’t exactly a new trend, there are many different ways to incorporate a modern tropical touch in your design. Decorating with this summery botanical motif in softer hues, such as blush pink, mustard yellow and light neutrals, and clean lines can brighten up a space with a subtle natural nod to summertime. Tropical styled interiors are also becoming increasingly popular in deep, saturated jewel tones for a sophisticated, dramatic feel and a tropical punch that can transition past the summer season. Decorating with tropically themed wall art is a simple way adopt this trend, so we’re sharing some great tropical imagery that will add some breezy, tranquil and chic vibes to your space!

Botanical and tropical decor continues to be a popular way to freshen up a space, especially during the warm summer months. One of the best things about this style is that it is easily adaptable to any design. Modern palm prints and tropical-themed photography can pair well with velvet, wood, and other natural materials. And if you truly want to go big and bold with this decor theme, a tropical wallcovering is a great way to make a statement and transport you to paradise!

Go With The Flow: Fluid Abstracts

***featuring “Silver Storm” by Laura Van Horne***

A big abstract image hanging on your wall can add the perfect modern touch to your design. But with so many different styles of abstract artwork, it can be hard to find the best one for your space. One style that can add contemporary detail with soft lines and organic shapes is fluid abstract imagery. Reminiscent of water reflections or rising smoke, abstracts with these flowing qualities can bring some soothing style to your space!

We love how hanging fluid abstract imagery can complete your stylish design with a calming and modern finish!

Sharp Design: Decorating with Geometrics

***featuring “Land Schematics II” by Michael Lawrence***

Crisp lines, bold patterns, and vibrant colors; what’s not to love about geometrics?! Bold, shape-based décor can create bright and modern interiors, particularly in commercial design spaces. Geometric imagery can instantly add visual interest to a wall and printing it on alternative substrates such as acrylic or metal will add unique texture. Geometry can help balance and harmonize a space, making simple shaped patterns and prints perfect for a wallcovering. Want to add a pop of color? Geometric wall art with clean lines is an easy way to make it happen or help keep your space cohesive and monochrome. Whether you are designing an office space or a living space, geometrics are the perfect modern trend for a chic design!

From an eye-catching focal point to subtle and sleek accents, there is lots of ways to incorporate geometric shapes into your design!

“Squares of the Past” by Brooke Borcherding

Flower Power: Big & Bold Florals

We are firm believers that floral decor is always in season! There are many different ways to add florals to your design, and one of our favorites is hanging big, bold floral prints on your wall. Floral and botanical artwork reflects the uniqueness of each flower, making it an easy way to bring color, joy, and the beauty of nature indoors to any design style. Since it is such a timeless décor trend, we wanted to share some floral imagery that will add some flower power to your space!

From traditional to contemporary styles, big and bold florals can breathe life into your design!

Stellar Decor: A Cosmic Trend

One up-and-coming design trend that caught our eye is the cosmic craze. Interiors are embracing an astronomic influence, using starburst shapes and celestial patterns, iridescent materials, mixed metals, and deep hues to create out-of-this-world designs. We love how this trend can give a luxury, futuristic style to any space, no matter how much cosmic inspiration you incorporate!

An easy way to bring some cosmic influence to your design is with celestial inspired artwork. Incorporating stunning imagery that mimics the cosmos and the night sky can add stellar details to your dreamy space. Light fixtures in starburst shapes, rock-like materials, mixed metal accents, and deep blues and violet can help complete your sophisticated cosmic style. And for some show-stopping intergalactic inspiration, try a wallcovering in a celestial print. Finding the perfect cosmic-inspired imagery can help create a chic and striking design!

“Ring Around the Moon” by Corrie LaVelle

Choosing The Best Substrate For Your Art Print

Choosing the right image for your wall is just the first step in making the perfect art print work for your space. Here at Third & Wall, we have more than 15,000 contemporary artworks to choose from–and we are continually adding more–for your custom Print-On-Demand project! Once you find your image, determining the print size you need for your wall and the substrate you want it printed on are the next steps. Each substrate offers a unique look and style, whether it’s a paper piece to frame, a canvas piece to stretch, or an alternative substrate like wood, metal, or acrylic. We wanted to share the differences of each to help you find the best material for your artwork!

Paper

Picturing a framed glass image on your wall? Then a paper print is for you! With a few different options to choose from, you can find the best type of paper for your image. Semi-matte paper is coated and reflects colors and details vividly without being too glossy. Enhanced Matte paper is a lighter uncoated paper ideal for images that do not require gloss, but prints saturated images with excellent highlight and shadow detail. And Fine Art Paper is uncoated, toothy and heavy for a luxurious fine art look (similar to high-quality watercolor paper), helping the matte finish show detail beautifully.

Canvas

A canvas giclée print is great for large-scale images and most closely resembles an original art piece on a painter’s canvas. Canvas pieces can be stretched and framed to elevate your giclée print, and hand embellishment with gel, pigment, pearlescent color, or metallic leafing can be added for extra texture, shimmer and shine.

Wallcovering

With bold walls making a comeback, adding wallcovering to your space is a great way to make a statement! Depending on the image you are using to cover your wall(s) and the feeling you want to create, we can help you find the best type of wallcovering for your interiors. Matte wallcovering is ideal for crisp prints such as photography or detailed designs, while canvas wallcovering adds more texture to your walls, like a painter’s canvas. Suede wallcovering brings elegance & warmth with a similar texture to suede fabric and reduces glare, whereas Terralon wallcovering has a very smooth surface and is made from 31% post-consumer recycled materials!

Alternative Substrates

Want to create a truly unique look with your imagery? Try an alternative substrate such as wood, metal, or acrylic! Images can be printed on honey-colored birch or apple Europly wood for a rustic finish, and you can choose between a solid image or to have the woodgrain show through. For a modern, sleek, and elegant feel, try printing on metal—this process is called DiBond and is formed by two thin metal sheets sandwiching a sheet of black sintra–with a brushed aluminum surface. While printing your image on clear acrylic can give your art print depth and add a polished touch to your walls!

*outdoor piece is “Canyon Vista” by Scott Brems*

Although all of these options can seem overwhelming, we want to help make choosing the best substrate for your art easy! Have you thought of another cool substrate for your art print? We will try and source it and create it for you!

For more details about all of the different substrate options we offer, check out our Products page.

Some areas of our website are password-protected. If you are a member of the trade but don’t have full access to our website, www.thirdandwall.com, please contact us at customerservice@thirdandwall.com.

Finding The Best Pieces For Your Living Room

Designing a stylish and functional living room can create the perfect gathering space! Whether you are entertaining guests or relaxing with family, finding the right décor can help set the tone for your room. We are excited to share some tips on finding the best pieces for creating an inviting living room.

Furniture is arguably the most important piece of a living room, so finding wall décor that complements your couches and comfy chairs is important. Hanging wall art in the same color scheme as your furniture will keep your space cohesive, whether it’s bright hues or warm neutrals. If your furniture has contemporary curves, try hanging a piece with rounded details to help soften the space. Boldly patterned wall art will pair well with printed pillows, rugs, and detailed fabrics in your living space.

A mantel can be the focal point of a living room so adding eye-catching decor will really help make it the center of the room. You can hang and center wall art above your mantel to draw the eye upward and fill more vertical space. You can also add art to your mantle, no hammer necessary, by propping it against the wall and layering it with other décor pieces to add more character. Depending on your wall space, you can also hang art on either side of the fireplace to help frame it.

**featuring “Boundless I and Boundless II” by Brent Foreman**

If you are looking to fill some large wall space, adding multiple pieces can help break up an empty wall. Adding a diptych or gallery wall are great options for adding multiple images to one wall, or don’t be afraid to go bold by hanging one large piece to really make a statement!

No matter your style, finding the right art and décor will bring your design together. Add personal touches and find pieces that reflect you to make your living room a cozy and welcoming space!

Some of the images featured in the interiors above are available in our Print-On-Demand collection. Some areas of our website are password-protected. If you are a member of the trade but don’t have full access to our website, www.thirdandwall.com, please contact us at customerservice@thirdandwall.com.

Décor and Design Trends of 2019

Have you been wanting to try a new interior design style or change out your décor? The start of a new year can be the perfect time to refresh your space and redecorate. As 2019 begins, new design trends are forecasted and interiors are transformed with fresh colors, textures, and accent pieces. The prediction is that this new year will bring bold walls, bright hues, and lots of personal touches! For some revamping and redesign inspiration, here are some interior design trends that look like they will make a big splash in 2019.

Black and White

While always a timeless color combination, black and white furnishings are at the top of trending decor items you’ll want to incorporate into your design. The contrasting tones will keep your space balanced yet bold, especially when incorporating dramatic black elements. For more inspiration on decorating in black and white, check out this post!

Patterns & Prints

Large-scale prints and patterns will be making a big impact this year, especially in wallpapers and wallcoverings. Ornate walls in geometric patterns and floral prints are a great way to get a wow effect in your room. And check out this post for more ways to decorate with prints and patterns!

Warm Neutrals

Light and neutral spaces are still going to be popular, with warm earth tones such as sand, ochre, and terracotta keeping spaces fresh and cozy. Cool grays are being replaced with warmer hues in wall colors, furniture, wall art, and more!

“California Coast” by Brooke Borcherding

Figurative Imagery

In this new year, home furnishings and decor pieces will be straying away from the abstract and taking concrete and recognizable forms. Imagery of animals and figurative art are expected to become more popular to add as focal points or accents pieces, and can easily be incorporated in any design style.

Bright and Bold Hues

This year, color is in! We are welcoming 2019 with bright, bold, and saturated tones. Spaces with vibrant color, lots of texture, and maximalist design styles are expected to dominate interior trends and bring new energy. Don’t be afraid of deep-hued walls, jewel-toned furniture, and colorful decor, and check out this post for more jewel-tone inspiration!

Although trends rise and fade, the key to adopting new styles and ideas is to personalize your space, and don’t be afraid to make a statement! And however you decide to shake up your design, we hope you have a wonderful and successful year!

Happy Holidays!

photograph by Aaron Matheson

Now that it is officially the first day of winter and Christmas is just days away, we are in full holiday mode! With cooler temperatures and shorter days, ’tis the season for winter whites & blues, evergreen accents, and warm fabrics. We’ve rounded up some great wintry images for your walls that pair perfectly with pops of red, shimmery metallic accents, and soft textures for a cozy space!

: “Winter Forest 2” by Julie Devine

: photograph by Keith Morgan

: “Keep Cool II” by Liz Jardine

: “Iceberg 2”

: photograph by Nancy Crowell

: “Winter” by Laura Van Horne

: “Winter Range” by Julie Devine

: photograph by Aaron Matheson

And from all of us at Third & Wall, we wish you a very happy holiday!

Pantone Color of the Year 2019: Living Coral

Last week Pantone announced their highly anticipated Color of the Year, and their pick for 2019 is Living Coral. In their description and explanation of the “vibrant, yet mellow” color, they acknowledge that this pick comes as a response to the influence of technology and social media in our daily lives. They explain, “Sociable and spirited, the engaging nature of PANTONE 16-1546 Living Coral welcomes and encourages lighthearted activity. Symbolizing our innate need for optimism and joyful pursuits, PANTONE 16-1546 Living Coral embodies our desire for playful expression.” This vibrant color also recalls the “energizing aspects of color found in nature” and life under the sea.

There are lots of ways to include Living Coral in your space, whether you lead with this cheerful color or use it in accent pieces. If you are not ready make a big coral splash on a large scale, like painting your wall(s) or front door, try using this warm and playful color in your upholstery,tableware, and other home accessories. Balance out this happy coral color with neutrals and white for a light and fresh space, or complement it with deep blues and greens for a vibrant room. And finding the perfect wall art and decor can help tie in Living Coral with the rest of your design, keeping your room bright and cohesive!

How would you decorate with Living Coral?

And check out or Pinterest Board for more Living Coral Inspiration!

Art Highlight: Impressionist Art

**“Impression, Sunrise” by Claude Monet 1872**

Even after 150 years, we continue to be inspired by Claude Monet, Camille Pissaro, Renoir, and other founding Impressionist artists! When the Impressionist movement emerged in late 19^th-century France, some artists began breaking away from fine finish and detail of the traditional paintings of the time, and instead, capturing momentary glimpses of an everyday scene with thick paint and quick brushstrokes. This major shift moved artists outside of the studio to depict their impressions of the world around them, focusing on the effects of different light and colors on landscapes, buildings, and common subject matters.

**“Jalais Hill, Pontoise” by Camille Pissarro 1867**

19^th-century Impressionist artist Camille Pissarro said of Impressionism, “Work at the same time on sky, water, branches, ground, keeping everything going on an equal basis… Don’t be afraid of putting on color… Paint generously and unhesitatingly, for it is best not to lose the first impression.”

This movement has had a profound impact on the art world since it began in the late 1800s and is often regarded as a catalyst of modern art. Its style and technique continues to influence many artists, including some of our artists at Third & Wall. Julie Devine’s work “communicates a spirited appreciation for the outdoors and for the tradition of painting, in particular the impressionist, post-impressionist, and abstract expressionist styles.”

Today’s artists are interpreting and showcasing Impressionism in new ways, painting in the thick, bold strokes and capturing the moment, light, and color around them as they see it. Third and wall artist Brooke Borcherding “took her easel outdoors for the first time in 2009, observing and learning from both nature and her plein air painting peers.” This direction was fueled by her need “to express what is real and everyday, and embrace the often overlooked beauty that is right in front of us.”

The Impressionist movement represented a groundbreaking shift in art history, allowing artists the freedom to explore new ideas, technology, and painting techniques. Born in Barcelona, Third and Wall artist Adolf Llovera visited many Barcelona art galleries that formed his earliest art influences, leaving him particularly enamored of the works of the French Impressionist painters. Llovera said,

“To me, observation is inspiration. Details of everyday life, everything that surrounds us provides a motive for inspiration.”

The subjectivity of artwork shaped by Impressionism evokes a visceral reaction from the viewer and depicts the beauty of everyday moments. As each artist in the late 1800s began to hone their own style with more artistic freedom, the Impressionist movement itself dissipated but paved the way for future art movements. It continues to inspire artists today and their own contemporary interpretations of Impressionism.

From The Studio of Nancy Ngo

We would like to introduce you to our newest artist at Third and Wall, Nancy Ngo! Born in Chicago but transplanted to Arizona as a young child, Nancy grew up learning an appreciation for contrasting landscapes. She developed an eye for the difference in the way light reflects on different terrains in the country. Nancy returned to Chicago after high school and received her Bachelor of Fine Arts degree with an emphasis on Painting and Art History from The School of the Art Institute of Chicago. And once again, she moved back to Arizona where she currently resides with her culinary artist husband and their three daughters.

Nancy’s awareness of the play of light and shadow and its effect on color plays an important role in her work today. The dichotomy of the natural desert landscape of Arizona versus the urban downtown environment of Chicago led her to a certain “no rules” style of painting. Her paintings are highly textured and raw, sometimes with an unfinished quality in which the work holds a kind of potential energy and freedom. Nancy continues to explore new avenues in her work, even with new materials. She is fascinated by the discoveries made while creating each new piece of art, allowing her style to change often in order to keep her painterly freedom.

What do you first do when you get to the studio in the morning?

It depends on the day of the week… ship day, prep day, planning day or painting day. Obviously, my favorite days are when all the canvases are prepped, then I get started painting right away! If nothing is prepped, I like to take care of regular business stuff, checking emails and updating my planner and goals for the day or week, and then I can get to work.

How many paintings do you work on at a time?

Too many! If I have an order, I will work on a painting start to finish with no interruptions. More often though, I have so many ideas, sometimes I prep too many at once and have them sprawled out all over the studio.

Do you have a dream project that you would like to work on?

Anything extremely large scale. I love to work BIG.

If you could paint with anyone, who would it be?

Oh my gosh, alive or dead? I’m inspired by artists of all genres… Kandinski, Egon Schiele, Michiko Itatani, Judith Godwin, Agnes Martin, David Hockney, Christine Tarkowski, Mike Kelley, Susanna Coffey, Bruce Nauman, Wolfgang Laib, James Turrell, Bill Viola… I could go on and on and on.

What’s your favorite way of generating ideas and inspiration?

If I am away from painting (on vacation) for a while, I usually come home and paint in a frenzy. I also like to look at magazines of all kinds.

How has your art evolved over time?

My work is ever changing. It’s often reflective of, or in response to, what’s going on in my life. I think it’s definitely become more complex. I’m trying to simplify it again.

What do you like most about your work?

The layers and heavy textures.

What is one word that best describes your style?

Dynamic

Is there an idea you would like to explore?

I’ve been wanting to explore figurative work, but it doesn’t come to me as easily as painting abstracts.

What is your favorite time of day to paint?

Any time I can get in the studio.

Do you ever get “stuck” on a piece? If so, what do you do?

Yes! If I think a painting becomes overworked, I paint over nearly the whole thing with white and leave only my favorite moments.

What is up next on your easel?

A few abstracts and a portrait… maybe.

From The Studio of John Burrows

Meet our artist John Burrows! After becoming infatuated with the arts at an early age and studying at the Los Angeles Art Center College of Design, John worked at two architectural firms and started his own commercial interior design company in 1975. He enjoyed design so much it became his business while art became his passion. After 35 years, John closed his design office to pursue his art career full time and has never looked back.

John initially used acrylic paints but later switched to oil paints and, once again, he never looked back. He loves vibrant oils and the fact that the paint stays wet while being worked. He loves impasto painting with large brushes that enhance his impressionistic works. To be even more expressive, he started applying paint with large drywall knives, which he calls “blades.” This allowed his paintings to became even bolder with movement and texture. His paintings range from abstract expression to pure abstracts. He never gets tired of experimenting with new materials and techniques while also constantly engaging with and learning from other artists.

What do you first do when you get to the studio in the morning?

My studio is in my home so it is always there, calling me. Quite often I go to Starbucks for a latte before I start painting.

: “Guardian Angel”

: “Poolside 2”

: “Ocean Fence” by John Burrows

: “On the Beach”

: “My Secret Spot” by John Burrows

How many paintings do you work on at a time?

I work on only one painting at a time.

“Fall at Soba Commone”

Do you have a dream project that you would like to work on?

I love working large. A small painting for me is 30 x 30. Most of my paintings are over 1200 square inches. I’ve had a few commissions in the past that have required a very large canvas. One was over 7,000 square inches. I love going large.

If you could paint with anyone, who would it be?

Gerhard Ricter or Edgar Degas

What’s your favorite way of generating ideas and inspiration?

Observing nature and touring galleries, appreciating other artists.

: “Invincible”

: “Emergence”

: “Every Which Way” by John Burrows

: “Coming Home”

: “Tribal”

: “When Harry Met Sally”

How has your art evolved over time?

My original focus was on architecture, then on ethnic figures and I was using large brushes. Now I focus on abstract impressionism using large blades in order to avoid detail.

What do you like most about your work?

“Boom Times II”

“Boom Times I”

The whimsy, the expressionism and the lack of detail.

What is one word that best describes your style?

Energetic

Is there an idea you would like to explore?

More minimalism

What is your favorite time of day to paint?

I usually start in the morning after a run to Starbucks.

Do you ever get “stuck” on a piece? If so, what do you do?

Sometimes the idea I had in my head turns to mud in reality. I’ll spend all day trying to save it but once it goes south, it’s a waste of time. I will scrap off all the paint and use that canvas another day.

What is up next on your easel?

I have several ideas in my head but I usually wait for the whimsy to take over.

: “Dock Tight”

: “OK Finish Line”

: “Lady of the Lake”

: “Aerial”

: “Chutes Up” by John Burrows

: “Stealth”

: “The Big Reveal”

: “Bow Spray” by John Burrows

: “Jewel of the Sea”

Modern Farmhouse Style

An interior design trend that feels quintessentially fall appropriate is the modern farmhouse style. This simplistically chic trend is all about
light and neutral colors, wood accents, as well as a warm and cozy atmosphere.

Pinterest boards are filled with design and décor ideas for achieving the country-living inspired aesthetic, whether you style your space full of character or keep it more modern and refined. After spending a weekend at the Pinology Market in Seattle, “an indoor pop-up market bringing Pinterest to life”, we are even more inspired by the rustic charm of the farmhouse style.

Even if you don’t live in the rural countryside, there are many ways to bring the polished comfort of the farmhouse style to your space. Using warm and cool neutral colors, like shades of gray, cream, brown, and sage, will keep your space light and bright. Finding the right décor is key to mastering the perfect modern rustic farmhouse look by balancing the sleek with the salvaged and incorporating natural elements. We’ve gathered some artwork and photographs that we think would pair perfectly with exposed wood details and flea market décor finds!

Images of lovable farm animals are a fun and easy way to bring the sweet country charm to your walls!

Paintings of the rolling countryside or a quaint barn can be the perfect addition to your farmhouse styled space. Pair them with industrial accents and a neutral color palette to complete your rustic and chic style!

Country-living inspired photography can strike the right balance of pastoral and refined while adding some rustic sophistication to your space!

And of course, the elegance of horses makes incorporating photographs and paintings of them a fantastic addition to your modern farmhouse style, especially in neutral tones!

From The Studio of Leah Rei

Meet our artist Leah Rei! Leah has been creating from a young age which led her to study Fine Arts with an emphasis in Painting at Arizona State University. She finds a great deal of inspiration in nature, and is often drawn to creating works that honor this. When in need of a muse, Leah takes to the trails, hiking to clear her mind and refocus. Working mostly in fluid acrylics, her art is an exploration of color, light and texture with the desire to represent all that inspires her with a sophisticated and thoughtful touch.

What do you do first when you get to the studio?

Turn on the music! Nothing gets me into the “zone” faster than finding just the right station to paint to. Painting in the “zone” feels almost like a runner’s high. Everything is working in harmony: your body, your mind, the paint. The gratification of finding that place of creativity is indescribable. I hunt for the “zone” every day.

How many paintings do you work on at a time?

As many as possible! I find myself needing to have multiple pieces going so I don’t get too attached to any particular one. This is not to say that I don’t put great amounts of care into my works, but rather that when I become too attached, I lose the ability to see the piece clearly, to make changes, and, more so, to be surprised by where the piece is taking me. Creating each piece is like going on a journey, the best sights to see are the ones you didn’t know were there.

: “Spring Air”

: “Summer Sunkissed”

: “Nexus III” by Leah Rei

: “Spring Blooms”

: “Blushed Bouquet”

: “Wild Flower Bouquet”

Do you have a dream project that you would like to work on?

“Drifter”

Hmmm… tough question. I love working large. If I had a dream project, it would be something big, site specific, and where a lot of people can enjoy it. By site specific, I mean creating a piece for a specific location, wall, building, etc. It can be a lot of fun drawing inspiration from your surroundings and creating a special piece with this in mind.

If you could paint with anyone, who would it be?

Helen Frankenthaler. I am drawn to her confidence, large works, and need to express what she saw and experienced. Mrs. Frankenthaler once said about her own works, “my pictures are full of climates, abstract climates. They’re not nature per se, but a feeling.” I feel similarly about my own pieces, as they are an expression of nature not necessarily a direct depiction.

What’s your favorite way of generating ideas and inspiration?

Getting outside, fresh air, and nature. My strongest ideas come when I make room for them. A lot of times this is about slowing down and getting in a good hike.

How has your art evolved over time?

I have always had a need to create in me. I started taking art more seriously in high school before deciding to study it in college. Because art has been so prevalent in my life and education, my early works were more technical and somewhat realistic. Over the years, my work has become more and more of an expression of what I see and feel. I am grateful to have such a foundation and technical background but what good is having rules if you can’t break them.

: “Floral Notes”

: “Peaceful Views”

: “Traveler”

: “Cool Breeze”

: “Entwined” by Leah Rei

: “Seasons Come”

: “Blue Magnolia II”

: “Tipping Point” by Leah Rei

What do you like most about your work?

“Meandering”

That I get to be the one to make it. I feel incredibly lucky every day that this is my career.

What is one word that best describes your style?

I am not sure one word is enough but if I had to choose probably fluid.

Is there an idea you would like to explore?

I have been thinking a lot recently about how creating is a balancing act. There is a duality that I find fascinating. Art and creating at its best is found in the space between intention and intuition, calculated and spontaneous, vulnerable and strong, knowing and discovering.

: “Hydrangea”

: “First Blush”

: “Sterling Impressions”

: “Warm Waves” by Leah Rei

What is your favorite time of day to paint?

“Whistful”

Early in the morning or late afternoon/evening. The light is amazing.

Do you ever get “stuck” on a piece? If so, what do you do?

Absolutely! Sometimes I just have to put that piece away and get some distance. Looking at it, studying it, hemming and hawing does not get me any closer to completing a piece. Pieces that I am stuck on go in a different room, out of sight, out of mind. I then get to find them later and be surprised by what they have to offer.

What is next up on your easel?

Lots and lots! I have been thinking about a series of landscapes that work with the idea of duality, made up of marks both spontaneous and intentional. Additionally, some more abstract pieces that are light, bright, and airy.

: “Amarantine”

: “Lilacs”

: “Content”

: “Distant Light”

From the Studio of K. Nari

Meet one of Third and Wall’s newest artists, Nari! Originally from Seoul, Korea, Nari moved to Los Angeles with her family when she was eleven years-old. With a naturally creative talent, she studied fine art throughout her childhood and into college. Her career as an artist has taken her from editorial illustrations for magazines and publishing & record companies to becoming an independent artist, currently. The subject matters Nari enjoys most are florals, abstract, transitional, and landscapes, but she also enjoys exploring a variety of other subject matter. Textile design, fashion and interior design are the primary inspiration for her artwork.

What do you first do when you get to the studio in the morning?

I make my parlettes and make sure the canvases are prepped and ready to go.

How many paintings do you work on at a time?

Usually two to three.

: “Amaryllis” by K. Nari

: “Azalea Spectrum” by K. Nari

: “Scarlet Summer”

Do you have a dream project that you would like to work on?

“Iridescence Peak”

I’d like to paint large-scale murals

If you could paint with anyone, who would it be?

I would paint with Michael Bond. I would like to see and learn his painting techniques.

What’s your favorite way of generating ideas and inspiration?

I look through interior design and fashion magazines and sites.

How has your art evolved over time?

With an illustration background, I used to do a lot of portrait painting. Now I love painting floral, abstract, and transitional art.

What do you like most about your work?

The movements and layers of paints.

: “Jeweled Horizon” by K. Nari

: “Destination” by K. Nari

: “Felicity”

What is one word that best describes your style?

Modern

: “Flicker”

: “Aqua Fields”

: Botanical Illusion

: “Blue Magnolia”

Is there an idea you would like to explore?

“Rolling Hill”

I would love to explore textile design.

What is your favorite time of day to paint?

Mid morning and late evening

Do you ever get “stuck” on a piece? If so, what do you do?

Yes! I walk away and work on something else until I figure it out.

What is up next on your easel?

I am recreating an abstract painting on canvas, which was originally done on paper in a smaller size.

All of these images by K. Nari (and more!) are available in our Print-On-Demand collection. Some areas of our website are password-protected. If you are a member of the trade but don’t have full access to our website, www.thirdandwall.com, please contact us at customerservice@thirdandwall.com.

From the Studio of Sarah Stevenson

Sarah Stevenson, and her art, comes to us from Sydney, Australia. With an educational background in media arts and film as well as visual arts, Sarah’s thought provoking work is largely in the form of digital art. She also enjoys working with acrylic paints, and has begun incorporating 3D elements to her paintings. She has a vast range of styles but particularly enjoys contemporary abstract styles with an edgy feel.

What do you first do when you get to the studio in the morning?

I turn on my music, lay out various images that currently inspire me, and set up my canvas whether it be digital or physical.

How many paintings do you work on at a time?

It varies, sometimes just the one, occasionally it’ll be as many as six, but usually it’s around two or three at a time.

Do you have a dream project that you would like to work on?

Nature’s Horizon

There’s not specifically a dream project that I have in mind at the moment but I do strive to make work that’s able to produce a strong emotional response from the viewer. I find making powerful pieces the most rewarding and my dream artwork would be one that encompasses that.

If you could paint with anyone, who would it be?

Aleksei Vinogradov.

What’s your favorite way of generating ideas and inspiration?

I find scrolling through the web is a really effective way to inspire me and get my imagination going. Whether it be the colours in a photograph someone has posted, or an emotion I feel when I see a video clip, I find it to be a great way for generating various ideas.

How has your art evolved over time?

Over time the style of my art has changed quite a lot. I’ll be inspired by different styles over time and so the style I chose to do ten years ago has vastly changed to what I’m inspired by at the moment. My work has become a lot more edgy with more grunge elements over the years. We’ll see what it’s like in another ten years!

: “Trapped In Plain Sight” by Sarah Stevenson

: Industrial Whirlwind

: Ethnic Dance

What do you like most about your work?

Girl With Surfboard

The variety of style I bring to my work and that I’m not limited to just one look.

What is one word that best describes your style?

Eclectic.

Is there an idea you would like to explore?

I would like to explore the idea of psychological freedom.

What is your favorite time of day to paint?

In the afternoon.

Do you ever get “stuck” on a piece? If so, what do you do?

I do get stuck on pieces sometime. I find taking some time away from it to clear my head is something really necessary and then often when I come back to it I can see it a little more objectively and clearly. Asking for feedback from trusted individuals when I’m stuck is also something I find useful; as well as sometimes looking at something I feel inspired by can also be very helpful.

: Sing Dance Create Differently

: Live Love Play Differently

: Imagine Differently

What is up next on your easel?

Figurative Abstract

I’m inspired to work on a digital abstract piece next with greys and splashes of pastel, possibly incorporating elements of an adult face just subtly.

Sarah’s work can be found can be found in our Print-On-Demand collection on our site. Some areas of our website are password-protected. If you are a member of the trade but don’t have full access to our website, www.thirdandwall.com, please contact us at customerservice@thirdandwall.com.

From the Studio of Pablo Rojero

Artist Pablo Rojero’s work graces interiors all over the world, and it’s easy to see why. His captivating style is apparent whether he’s working on abstracts, cityscapes, landscapes or figuratives. Not only is Pablo an accomplished artist, he’s also a delightfully warm and open individual, an engaging conversationalist, and is dedicated to his family and his work. Versatile and energetic, he is always open to exploring new ideas and creative avenues.

Pablo Rojero

What do you first do when you get to the studio in the morning?
The first thing I do in the morning is take my twin sons to school. After that i usually have breakfast with my daughter.

How many images do you work on at a time?
I usually work on two to three; I lose focus if I put too many on the wall.

Rustic City

Do you have a dream project that you would like to work on?
My dream project would be to start an art program geared to help children with autism, as both my sons have autism.

If you could collaborate with anyone, who would it be?
I would have loved to paint with William Bouguereau, he was an amazing academic painter.

Pablo at work
What’s your favorite way of generating ideas and inspiration?
I was taught by a mentor to look at my surroundings everywhere I go, to look at every detail, from texture on the street to how light affects objects. I constantly do this as it builds my repertoire of ideas.

How has your artwork evolved over time?
My art has become more free and balanced. I’ve learned when to stop and say “it’s done” as I used to overcook the art.

What do you like most about your work?
I really like the layers on my art, I feel that it is a crucial process in my paintings. You’ve got to let the art breathe.

Del Mar, California

What is one word that best describes your style?
Spontaneous

Is there an idea you would like to explore?
I would like to explore figurative art a bit more.

What is your favorite time of day to paint?
I like 10:00 am. By then I’m fully recharged and ready to go.

Do you ever get “stuck” on a piece? If so, what do you do?
I get stuck on pieces all the time, and when it happens I’ll just go back to something that worked in the past.
I sometimes play some guitar or hit the drums which shifts my thinking, it helps a lot. The artist's studio

What is up next on your easel?
I’m currently working on Neutral tone abstracts. I’m using silver and gold leaf as a new element in my work. I’m incorporating elements of texture that I observe in the environment, for example cement, the patina on antique furniture etc.

: Continental Drift II

: Gold Coast

: Newport I

: Paris in Motion

: San Francisco Bay

: City Dreams

Pablo’s works are available for Print-On-Demand and licensing, and a selection of his images are available in our Original and Poster collections. Some areas of our website are password-protected. If you are a member of the trade but don’t have full access to our website, www.thirdandwall.com, please contact us at customerservice@thirdandwall.com.

Happy Valentine’s Day from Third & Wall!

Love is in the air at Third & Art Wall Group, but we don’t need Valentine’s Day to remind us that we love our artists, and we really get stars in our eyes when they share their romantic artwork with us!

Loved-up couples are the romantic foundation of Valentine’s Day, whether they’re kissing or just sharing quality time. Artists Julianne Marcoux, Kelsey Hochstatter and KC Haxton have each captured their own unique visions of romance and intimacy in these compelling figuratives.

: “Kiss in the Rain” by Julianne Marcoux

: “Into The Blue” by Kelsey Hochstatter

: “Drift II” by KC Haxton

Did you know that Valentine’s Day is the #1 fresh-flower selling holiday for florists? According to a survey by the National Retail Federation, 37.8 percent of Americans will buy flowers for Valentine’s Day 2015, spending a total of $2.1 billion. Florals represent the heart in a way that nothing else can, and they’re beautifully captured in these lush bouquets by the amazing Liz Jardine.

: “Bouquet du Jour” by Liz Jardine

: “Fresh Flowers” by Liz Jardine

Some of us are a little more practical about the phenomenon of love. Is it all just chemical? New artist Parker Jones schools us on the facts and properties of love with these sweet and clever new graphic images.

: “You Me We 3” by Parker Jones

: “Chemical Love” by Parker Jones

Remember to keep the love in your heart (and your art!) 365 days a year. Happy Valentine’s Day!

If you are a member of the trade and would like information on becoming a Third & Wall member and accessing our online collections, please contact us or call us at 1-206-443-8425 or toll-free at 1-877-326-3925. Our fax number is 1-206-441-4299.

If you are not a member of the trade, please email us to find a retailer near you, or visit our showroom at 312 Ninth Avenue N., Seattle, WA 98109. Our showroom is open to the public, or visit us at www.thirdandwall.com.

Happy Thanksgiving from all of us at Third & Wall!

aaron matheson, photography, washington, fall, autumn, seasons

Photography by Aaron Matheson

Thanksgiving is probably my favorite holiday of the year. It’s interesting that Lincoln declared it an official holiday in the midst of the Civil War when finding something to be thankful for was probably challenging. Yet, the holiday has endured, for it represents something so genuine and innocent.

transitional landscape, autumn, fall, painting, seattle art, jill martin

“Tradition” by Jill Martin

I love Thanksgiving for what it is not. It is not full of gifts and over-the-top decorations. Thanksgiving is, however, a time to share with friends and family. I love that it is a kickstart to the holiday season and when I can officially start ordering my eggnog lattes. I love that it is a day filled with wonderful foods such as garlic mashed potatoes with dressing, turkey, cranberry relish and stuffing with Jimmy John’s sausage and rosemary (stick to this and skip the oyster stuffing), and so much more.

But I love Thanksgiving most because it is a day where we step back and reflect on what we are thankful for. Third & Wall Art Group is no different. The year is winding down, year-to-year comparisons are being made, current year budgets are being reviewed and the rush to complete annual goals is in full swing. But through all of this I still wish to step back and acknowledge all that I am thankful for at Third & Wall.

transitional florals, nature art, trees, liz jardine, fall, autumn, seasons

“When Autumn Leaves Start to Fall” by Liz Jardine

I (we) am thankful for the incredible and talented artists that we get to work with. Each day we receive the gift of entering an office filled with beautiful artwork. I am thankful for a wonderful and loyal group of employees that strive to make every one of our customers happy. I am thankful for our vendors who have been true partners and have shown us patience and support. I am thankful for our customers. I am thankful that with all the options available to them for wall décor, they come to us. I am thankful that they have placed their trust in our abilities to meet their needs. I am thankful that they allow us to open our doors everyday ensuring that we can continue to represent the interests of our artists and to keep the business of art alive.

Every year has its challenges, yet every year also has its rewards. Today, I am thankful for all those rewards. ~ Brian Henn, President

transitional landscapes, lisa ridgers, abstract landscapes, contemporary seattle art

“Rust & Water” by Lisa Ridgers

I’m thankful to work with a group of artists who, through their work, make even the darkest days bright. And for coworkers who are more than just people I work with, but who are also wonderful, supportive friends.~ Melissa

I’m thankful for my family and friends, my two dimpled daughters and the songs they sing, my awesome co-workers, and hot coffee on a cold morning. ~ Kay

I’m thankful that I get to work with a team that’s committed not only to each other, but to doing the best we can everyday for our clients. Also that I get to do something every day that brings joy into people’s lives and homes. ~ Melody

I’m thankful that Third & Wall provides me the flexibility to fulfill a creative and artistic working role while also empowering me to achieve my own personal artistic dreams. And I’m thankful for the best co-workers a girl could ever have. ~ Patti

randy hibberd, nature art, branches, fall, autumn, seasons, transitional

“Tranquility II” by Randy Hibberd

I am thankful for all of the opportunities that have been put in front of me this past year. And I am even more thankful that I could take those opportunities and turn them into something great. ~ Kali

I have a lot to be thankful for – my family, friends, good health, my home and a great job. ~ Debbie

I’m thankful for all the incredible individuals I connect with every day. Not only are they talented and creative but also kind, generous, lovely people. . .artists, clients, co-workers and vendors. ~ Aimee

Impressionist art, simon addyman, fall, autumn, seasons, nature

“Red Leaves” by Simon Addyman

I’m thankful for a loving and supportive family and rockstar friends! ~ Katherine

I am thankful for all the awesome coworkers I have, because without them the days would be far less interesting, less funny and way more stressful. ~ Aaron

I’m thankful for my amazing friends in Seattle! I moved here 6 years ago without knowing anyone and have accumulated a group of friends who are compassionate, inspiring, and weird. ~ Maddie

And last but not least…

I’m thankful to work alongside so many generous and talented people. I’m thankful I still have all ten fingers. I’m thankful this country celebrates Thanksgiving! ~ Peter

HAPPY THANKSGIVING EVERYBODY!

Q & A with a California Art Consultant

We recently had the chance to pose a few questions to one our busiest clients, a dynamic Art Consultant doing a booming business in Southern California.

contemporary abstract, seattle art, sarah stockstill

“Grace”,by Sarah Stockstill

What project are you currently working on?

I am currently working on a commercial project with multiple locations on the West Coast. Each location is looking for artists from each specific state. This has been a fun project for placing great art from Randy Hibberd, KC Haxton and Sarah Stockstill.

What is your favorite location for which to specify art?

Any location that doesn’t request generic art. The right art can breathe life into a room and make any generic setting stand out.

contemporary abstract, randy hibberd, seattle art

“Flowering” by Randy Hibberd

Favorite type of imagery to place for a project?

Abstract art, and really cool and thought-provoking representational paintings.

How do you go about selecting art for your individual client needs?

From past experience I usually know the exact styles that each of my clients prefer, so I tend to stay on that same path, but always try to update new looks to stay fresh and relevant.

photography, california, seattle art, kyle

“Sunset on the Coast” by Kyle

Best piece of advice you would give an artist?

I would advise a new artist that wants to make a living as an artist to heed the advice of an art consultant, an established interior designer or a gallery owner. Their advice can help to create a painting that people will want to purchase. No matter what anybody says, when it comes down to it most paintings are purchased based on the color palette, and the effective use of the colors within the painting. I would also suggest to always strive for an edge, and to stay a step ahead of other artists.

KC haxton, contemporary art, pop art, surreal art, champagne art, wine art, seattle art

“Champagne” by KC Haxton

Do you have a “dream” project you would like to work on?

I feel like I am already working on my “dream project”. I love my career and wouldn’t change it for any other. Every day is different and every project is different so things are always new, fresh and exciting!

: “Candid Color” by Sarah Stockstill

: “Red Velocity” by Jeff Iorillo

If you are a member of the trade but don’t have full access to our website, www.thirdandwall.com, please contact us at customerservice@thirdandwall.com.

From The Studio of Randy Hibberd

Randy Hibberd is a genius at creating timelessly elegant, upscale contemporary artwork that integrates boldly and seamlessly into all types of commercial and residential interiors.

What do you first do when you get to the studio in the morning?
Coffee coffee coffee . . . and change into my painting clothes like Mr. Rogers.

How many paintings do you work on at a time?
I usually have 3-6 paintings going on at all times. You never know what mood you’ll be in when entering the studio walls; it’s fun to have options.

Do you have a dream project that you would like to work on?
Solo show at the Guggenheim.

If you could paint with anyone, who would it be?
I love to paint with my beautiful daughters Riley and Rachel . . . I could paint with them everyday!

Is there an idea you would like to explore?
I’m always fired up to explore new ideas , that’s the rush of painting – when you’re inspired and can’t wait to get to the studio.

What is your favorite time of day to paint?
2-6 pm. The coffee has fully kicked in, goofing off has subsided and the pressure is on to get something done for the day.

Do you ever get “stuck” on a piece? If so, what do you do?
Getting “stuck” is normal practice in my abstract world . Sometimes it flows, sometimes it’s junk. Most times I battle through until I find a solution . . . just keep painting. But on rare occasions I just walk away and come back fresh the next day. This always yields a new perspective and a solution reveals itself .

What is up next on your easel?
Magazine pages. Tons of ever-evolving magazine photos.

: “Scattered Stones 2”

: “Vigor”

: “Even Flow”

: “Burnt Orange”

: “Happy Home Flowers I”

: “OHIB-518-ALT”

Randy Hibberd’s original works, posters and print-on-demand imagery are available from Third & Wall Art Group. All images are © Randy Hibberd and published/distributed by Third & Wall Art Group.

If you are a member of the trade but don’t have full access to our website, www.thirdandwall.com, please contact us at customerservice@thirdandwall.com.

New Contemporary Art For Fall

We’re getting ready to release our latest preview collection and thought we’d share a sneak-peek at our upcoming imagery.

Lately, clients have been asking us for Beach House art. Since Fall has officially arrived here in Seattle – the rain, earlier sunsets and crisp air even when the sun is shining – we thought we’d warm things up with reminders of the great Summer we just enjoyed.

These contemporary beach scenes from Liz Jardine ought to do the trick!

: Beach Day I by Liz Jardine

: Beach Day 2 by Liz Jardine

Lodge Art is another theme that we hear a lot about. Think lots of wood, warm cozy fires and deep rich colors, especially as Winter approaches. These captivating animals by Lisa Ridgers gallop into the Lodge theme beautifully!

: URID-544

: URID-557_ALT_BrownsGolds

Floral Art is always on-trend. Look at these timelessly gorgeous pieces by KC Haxton & Lisa Ridgers.

: OHAX-237_ALT_BlackWhite

: ORID-497

Stay tuned, we have many exclusive new images coming your way, from Abstracts to Cityscapes and Landscapes.

: OSTO-421

: OCAT-118

: OROJ-134

If you are a member of the trade but don’t have full access to our website, www.thirdandwall.com, please contact us at customerservice@thirdandwall.com.