Tag Archives: abstract art

From The Studio of Ben Schneider

Meet our new artist, Ben Schneider! He is truly showing the world that his art inspires hope. Ben was diagnosed with autism at the age of 3. Art has been a part of Ben’s life from a very early age, providing him with an essential outlet with which to calm and express himself. Art has become Ben’s passion, and continues to provide him opportunities to enjoy meaningful and fulfilling work. Ben loves using acrylic and mixed media to create his dynamic paintings. He is always searching for new techniques to experiment with in his studio, and loves using bright colors and interesting combinations.

What do you do when you first get in the studio?

The first thing I do is set up supplies and canvases. While I’m setting up my materials, I start thinking about the style of the painting and the colors I want to use. I then pick out my paints and prepare them for the painting I will be completing.

How many paintings do you work on at a time?

I usually work on two paintings at a time, though that number can vary. It takes close to a week for the paints to dry, and to add finishing coats to it. Sometimes I will do multiple canvases that go together in a set, so that can be up to 4 canvases at once.

Do you have a dream project that you would like to work on?

My dream project would be to combine patterns using painters tape, and the technique of pouring acrylics. I think the combo of the materials would create a good painting.

If you could paint with anyone, who would it be?

I enjoy painting with my mentor Nicole. She helps me keep my materials organized and assists me when needed. She also helps me keep notes on the paintings, like what colors I used, and any special equipment I choose.

What is your favorite way of generating ideas and inspiration?

The main way I generate ideas is in my head through visions and pictures I see. That helps me decide what I want to try. I also will research new ideas and techniques online. I am very inspired by colors. I love to combine unexpected colors and see the outcome.

How has your art evolved over time?

The main way I have evolved with my art is that my skills have improved. I now understand the routine I need to do to be successful in the art studio. I also think I have evolved the techniques I use. I started with just pouring paint on canvases, and now I have many techniques and materials that I use in projects. I also now have preferences on paint brands I use as well. Each brand can be different, but I know which ones I like.

What do you like most about your work?

What I like most about my work is when I complete a painting. It makes me feel accomplished. I like to look at the finished art and see the final project. I also really like my use of colors. I pair things together that may be unexpected sometimes, but it always looks good in the end.

What is one word that best describes your style?

I think one word that describes my art is “movement”. Throughout all of my art pieces, you can see the unique movements of the paint, and the movement of the colors combining. As for my personal style, I would say I am precise and mellow. I am very precise with measuring paint ratios and completing projects, yet manage to keep a mellow attitude while I’m in the art studio.

I think one word that describes my art is “movement”. Throughout all of my art pieces, you can see the unique movements of the paint, and the movement of the colors combining.

Is there an idea you would like to explore?

I really would like to explore the use of tape in my paintings. I like that I can tape away parts of the canvas from the paint I am pouring, and when I remove the tape, a unique outcome of patterns and paint appear. I am also looking into adding more texture to my artwork through the use of gels and other thickening materials.

What is your favorite time of day to paint?

My favorite time of day to paint is in the evenings. I feel like I am most alert and focused in the evenings, and I tend to be most efficient then as well.

Do you ever get “stuck” on a piece? If so, what do you do?

I don’t really ever get stuck on any art pieces. I am very decisive when it comes to the colors I choose and the techniques I use. I do, however, learn and gain knowledge with each piece I complete. I am able to use that knowledge I gained to make adjustments as I move forward into new art pieces.

What is up next on your easel?

When I think about what’s next, I think about trying new techniques and seeing how it goes. I like to evolve as an artist and I’m pretty open to new ideas. I do like to research new ideas, and I tend to plan out new projects to try in the future.

In 2012 Ben’s parents started a non-profit called Ben’s Fund to help children and young adults with autism reach their full potential through financial aid, awareness, and hope! Ben’s Fund has raised over $2,329,166, and portions of the sales of Ben’s artwork go to support the non-profit! Check out their website for more information.

What to read next…

From The Studio of Roberta Dyer

Less Is More: Embracing Minimalist Design

Show Your Walls Some Love: Why Art Matters

The images featured above are available in our Print-On-Demand collection. Some areas of our website are password-protected. If you are a member of the trade but don’t have full access to our website, www.thirdandwall.com, please contact us at customerservice@thirdandwall.com.

From The Studio of Roberta Dyer

We are excited to welcome our newest artist Roberta Dyer to Third & Wall! Roberta grew up in Atlanta, Georgia. Spending time at the High Museum of Art and going to the fledgling Piedmont Park Art Festival, she imagined her paintings would one day hang among the artists she so admired.

She attended Vanderbilt University, earned her BA in Art History and returned to Atlanta after graduation where she continued pursuing her passion for art, taking classes at the High Museum and Georgia State University. Moving to San Diego in 1971, Roberta took art classes as time would allow and has since enjoyed many forms of expression from sculpture to copper enameling, oil painting to mural assignments. Today, she focuses on non-representational paintings and figurative subjects.

Roberta’s art is best described as expressive, whether figurative or abstract. She uses a combination of bold color and mixed media techniques to present her subjects in unusual ways.

“I am constantly pulled by two loves–painting figures and painting abstracts. It makes me happy to work with the push and pull of these two disciplines. I want to explore how design and pattern interact to make a realistic subject more abstract and enhance the theme of the painting. For me, the process of painting involves adding and removing and editing as I go along. If something doesn’t work, I simply paint it out and go in a different direction. I don’t try to paint likeness, that is a task for portrait artists. I use figures and animals as shapes in a painting and my intent in these paintings is to portray animals and humans as survivors–vulnerable but strong. I also love pure abstraction using mixed media along with acrylic paint.”

What do you first do when you get to the studio?

Whether I am beginning to paint or just visiting my studio before going back to it later, I take this time to look at my works in progress and try to decide what my next creative steps should be. Then I might clean up a bit and organize my supplies.

How many paintings do you work on at a time?

I work quickly at the start of a painting so I like to work on two or three paintings at a time. While one is having some “drying time” I work on the others. I also find that working on several pieces at once keeps me from over-focusing on one and getting lost in the minutiae too early.

If you could paint with anyone, who would it be?

This is a hard one because there are so many masterful painters I would choose. I admire the work of Turner, Picasso, Lautrec, Diebenkorn, Manet, Modigliani, not to mention the wonderful men and women of the Abstract Expressionists. But if I had to pick one, it would be Matisse. His influence on modern art has been profound with his flattening and simplifying of his subject matter, his bright colors, his use of patterns and lines and his brilliant compositions. There is something that can be learned by every artist working today.

“There is something that can be learned by every artist working today.”

What is your favorite way of generating ideas and inspiration?

Two ways work best for me when I am casting about for ideas. Working toward a particular theme is one way, particularly when there is a deadline for a show, and the other is to decide on a project or subject or theme and then do a series based around that idea. Or I might find a new material that I like and experiment with that for several paintings. I am currently in love with ArtGraf water-soluble pastels.

How has your art evolved over time?

I’ve been painting for years and understand looking back that the best way to improve or evolve is to work really hard. I’ve taken many workshops and classes- some valuable and some not so much- and have learned from some brilliant artists and teachers. Taking that information and applying it to my style and vision has helped me grow. My confidence has grown over the years as has my skill and that has allowed my style to emerge.

What do you like most about your work?

I have always admired artists who are not afraid to have their “hand” evident in their work, and I believe that I have achieved that in my paintings. I like that the emotion of my subject matter, whether real or abstract, shows through. People say that my work is expressive and I appreciate that.

What is one word that best describes your style?

Expressive.

Is there an idea you would like to explore?

My life long goal as an artist is to merge realism with abstraction in a unique way. No matter the painting, that is always in my mind.

What is your favorite time of day to paint?

I find that I am the most focused in the afternoon. My mind is more settled after other commitments have been accomplished. I have more energy in the mornings but my mind is chaotic.

Do you ever get “stuck” on a piece?

I am an intuitive painter rather than a planner, so it is safe to say that I get stuck at some point on every single piece! There are several ways I can move forward–I can stop working and not look at the piece for a day or two, I can go over my “Finish” checklist that helps me evaluate values, compositions, line, shapes, etc. One of the most effective ways is one I learned by taking a workshop from Jeannie McGuire. She said that when she is stuck, she gives her painting a story and that then she will be able to move forward. I have found that to be a sure and fun way to get unstuck.

What is up next on your easel?

I have been working on a series of 36×48 paintings of coyotes and told myself that I should do five. I have completed 3 1/2 so far and am trying to move ahead to finish number 4. I have also begun working on a series of large abstracts using the ArtGraf water-soluble pastels and am loving the process. I’ll always circle back to painting figures and animals too.

What To Read Next…

From The Studio of Patti Mann

Staying Grounded With Warm & Earthy Hues

Go Wild: Animal Decor

From The Studio of Ruth Fromstein

Meet one of Third & Wall’s newest artists, Ruth Fromstein! While currently residing in San Diego, Ruth has had a close relationship with art since picking up a brush and canvas while a child in small-town Wisconsin. Creating has been the only constant in Ruth’s life and an important form of self-expression.

While her Bachelors degree is in Vocal Rehabilitation, it was the various art classes that inspired her. She experimented with drawing, design, art, metals, and weaving. Her art took inspiration from her love of dancing, hiking, backpacking, and nature, imbuing her work with movement, life, and a palate as varied as an expansive field of wildflowers gracing the horizon. Ruth is constantly experimenting with new materials and techniques striving to embody in her work the beauty and excitement of the world she sees around and within herself. Creating images that dance and play in the viewer’s imagination, her abstract paintings have been described as anything from tranquil and relaxing to thrilling and startling. She embraces her brush as her dance partner, and, with it, swings across the canvas in a chorus of control and spontaneity. While Ruth paints with a goal, she is always excited to stumble into new territory as the materials she experiments with lead her in unexpected directions!

What do you first do when you get to the studio in the morning?

I take a deep breath and evaluate what I had done the previous day, looking at my work with fresh eyes.

How many paintings do you work on at a time?

I like to work on multiple paintings at one time, usually at least 4.

Do you have a dream project that you would like to work on?

It would be cool to paint a mural.

If you could paint with anyone, who would it be?

Oh my goodness… who to choose? A master like Monet or Angus Wilson, or a painter I would like to take a class with? How about my incredibly talented friend from high school, Leslie Stewart? I choose them all!

What’s your favorite way of generating ideas and inspiration?

I frequently get inspired when I go hiking. I am influenced by my surroundings as well as my own thoughts and feelings.

How has your art evolved over time?

My work continues to evolve as I experiment with new techniques, colors, and tools. I enjoy learning from other artists who introduce me to new processes then I like to take the information and apply it to my paintings in interesting ways.

What do you like most about your work?

I like that my paintings pull the viewer in and take them on a journey. I enjoy looking at my paintings, and every time I do, I see something different.

I like the variety of work that I create. I am attracted to color, texture and movement.

What is one word that best describes your style?

Only ONE? Contemporary

Is there an idea you would like to explore?

My head is exploding with ideas, however, I need to see if these concepts will successfully translate onto my canvas. Follow along and see what emerges!

What is your favorite time of day to paint?

My mind is fresh in the morning, and I like the natural light that shines through my windows.

Do you ever get “stuck” on a piece? If so what do you do?

Oh, yes! Sometimes I need to tuck a painting away and pull it out another day, or rotate the orientation. Other times, it is best to simply “paint over”.

What is next up on your easel?

I have one of those “tucked away” paintings waiting for fresh inspiration, as well as an abstract landscape and floral.

The images featured here are available in our Print-On-Demand collection. Some areas of our website are password-protected. If you are a member of the trade but don’t have full access to our website, www.thirdandwall.com, please contact us at customerservice@thirdandwall.com.

Color Trends: Deep Blue Hues

***featured artwork is “Endless Muse” by K. Nari***

As a new year begins, we always look forward to the predictions of new décor and design trends. In forecasted color trends, Pantone announced their Color of the Year 2020: Classic Blue, and we are excited for this “timeless and enduring blue hue”! Blues are known to be calming and comforting, and the deep shade that Pantone has chosen for this new year reflects just that. Sherwin Williams also selected a moodier navy blue, Naval, as their color for 2020. Looks like having the blues isn’t such a bad thing after all!

Changing out your artwork is an easy way to refresh your space and try out these new colors and interior trends. Because of their versatility, rich dark blues are taking on the role of a neutral this coming year, so don’t be afraid to decorate with them in bolder ways. These striking navy hues have relaxing and tranquil qualities, and they easily pair with any materials or colors you might already have in your space. From a luxe look to a cozy interior, these trending shades of blue can transform any design style!

From The Studio of Kippi Leonard

Meet our artist, Kippi Leonard! Kippi’s vibrant aqueous surfaces are the results of pouring inks that have been custom mixed onto canvas, panel, and linen. The pouring process is her way of largely abandoning compositional control and remaining open to spontaneous occurrences with her work. Through color, luminosity and light reflection, her work provokes calm and, simultaneously, deep introspection. Inversely, her mixed media work is structural and largely black and white with expressive mark making and an occasional allusion of color. Both methods of creating reflect her veracious essence. After an extensive career in interior design, Kippi continues the exploration of materials through her experimental and abstract work in oil, encaustic, collage and watercolor.

A Pacific Northwest native, she now resides in Palm Desert, California a place that nurtures her comprehensive approach to creating art.

What do you first do when you get to the studio in the morning?

The first thing I do when I arrive at my studio each day is to turn on music, something that will influence the tone, composition, and mood of my current series of paintings.

How many paintings do you work on at a time?

I typically work on 2-4 paintings at a time, with several in ink and a large acrylic mixed media.

Do you have a dream project that you would like to work on?

My current dream project has been opening my own studio/gallery/workshop space in Palm Desert where I live. There is a street revitalization program currently in construction where my studio is located which is being built to provide the community with an art scene, community events, music festivals, dining, and gathering. Its going to be amazing and I’d like to be involved in its vision and implementation.

If you could paint with anyone, who would it be?

I would have to go back in time. I just read the book “Ninth Street Women” by author Mary Gabriel. I could see myself painting for a day with Joan Mitchel or Grace Hartigan. Mostly, I’d like to be a part of their unapologetic gusty innovation in the post-war modern art world. Truly inspiring!

What’s your favorite way of generating ideas and inspiration?

When my creative tank is nearing empty, a good adventure clears my mind and, being an amateur photographer, I always return with photo inspiration. Travel, hiking, visiting new out-of-the-way places of interest feeds my soul. Museum, gallery, and art shows always excite my brain and fuel me to start new pieces. Occasionally, a color I see somewhere in a crowd takes hold and a new idea begins to form.

How has your art evolved over time?

I experimented in so many mediums when I first started to learn about art and its creation. I found my voice in my ink work and in my mixed media work, and I’ve realized I cannot do everything but I can challenge myself within a few favorites. I am always trailblazing ways to use the inks. For me, it’s always being willing to risk. I love overcoming impossibility within my work.

What do you like most about your work?

I like how it evokes emotion in the viewers. I’m often being told stories of what a person sees within my work. A mother holding a child, a sunrise in the mountains, a female silhouette; that it resonates in their heart and mind; that they don’t want to look away. My story becomes part of their story when they bring my art into their home. I want to connect with people and this is the way I do that.

What is one word that best describes your style?

Modern-Neutral

Is there an idea you would like to explore?

I have lots of ideas to explore. My current idea is blending contemporary elements with historical figures using my inks, collage, and acrylic in an abstract way.

What is your favorite time of day to paint?

It depends on what I’m painting. I work with inks early in the morning when I’m energized, as they require complete attention with music that is upbeat and I can dance in place a bit while waiting for the inks to dry. I work on my abstract mixed media pieces in the late afternoon and evenings, usually with soft jazz music playing.

Do you ever get “stuck” on a piece? If so, what do you do?

I do get stuck and with those pieces I either push too far or they go in my “closet of unloved art” until a fresh idea hits me. Then I begin again and they evolve into some of my most favorite pieces. Occasionally, I have my husband look at a piece and give me his “feel”. It re-inspires me to go in a new direction or validates I’m on the right track and I just needed to push through.

What is up next on your easel?

Currently a 48 x 72″ ink piece for a commission is on the table and a new collage mixed media is on the easel waiting for the first brush stroke.

Trend Inspiration From New York Fashion Week

**featuring “An Open Heart” by Liz Jardine alt v 1**

New York Fashion Week 2019 wrapped up in September and there were some runway trends for the upcoming year that caught our eye. It’s no surprise that the relationship between fashion and interiors is a close one, so these fashion trends can easily be applied to create unique spaces. We wanted to highlight a few of our favorite runway styles and how they can find a home in your wall decor!

BOLD: Prints & Patterns

Bold patterns are trending on the runways and on our walls! From polka dots to rose prints to black & white graphic prints, we are drawing from this high-fashion inspiration and predicting bold patterns to be big in wall decor this coming year. Bold printed wallpaper and wallcovering have become very popular, and it looks to be an interior trend that will continue to grow in 2020.

BRIGHT: Citrus-Inspired Colors

Citrus-inspired colors are brightening up wardrobes and interiors! Refreshing colors such as lime green, tangy tangerine, and not-so-mellow yellow made a statement on the catwalks and are sure to make a splash in decor for a bright and colorful 2020. Decorating with these trendy highlighter hues can be as easy as hanging the perfect eye-catching artwork on your walls!

CLASSIC: All White Suit

The all-white suit continues to be a chic fashion staple and this past New York Fashion Week, designers were taking it to the next level with sultry cutouts and unique silhouettes. This clean, classic, and structured runway trend took a more relaxed, stylized vibe this year and it can easily transition to interior design and decor. Whether you want an all-white space or just some neutral decor, wall art in this pared-down color palette can be the stylized, unique accent piece you need!

The fashion and design industries are continually influencing each other and we love looking to the fashion world for inspiration!

Art Highlight: Giclée Canvas Embellishment

So you’ve found the perfect image for your wall and determined it will be printed on canvas, but you just wish it had a little more texture or metallic shine like an original painting. Well, you’re in luck! At Third and Wall, we have the ability to add hand embellishment to your giclée canvas print. We offer several different embellishment options, which does mean that you will have one more decision to make. But, not to worry, we are breaking down the different types of embellishment to help! From gel brushstrokes for added texture to metallic leafing for extra shimmer (or both!), we want to help make your art work for you and your unique style!

Brushstroke Embellishment

With a clear gel medium, we are able to hand-apply brushstrokes that follow the image of your print. This embellishment option will give your printed piece texture that can mimic an original piece without compromising the image. From fluid lines to geometric shapes and from thick gel to thin, the gel embellishment can highlight the movement of any piece.

Pigment Embellishment

We can also hand-paint canvas prints with pigment, including metallic and pearlescent colors, to add extra color and texture! Combined with the gel embellishment, added pigment can help the colors of your image truly pop. We use different paintbrushes and palette knives to apply the right color pigment and match the artistic style of the image, making the giclée come to life. We can use gold, silver, or bronze metallic and pearlescent paint, which adds a light shimmer to highlight the metallic shine that an original might have. The hand-painted texture and added color is a perfect way to elevate your giclée and really make it pop!

Metallic Leafing

For a bold metallic pop on your canvas print, we can hand-apply silver, copper, or gold metallic leafing. The leafing can also be combined with the traditional gel embellishment to add that painterly texture with the burst of shimmer. No matter how much of the image you decide to add the metallic leaf to, it is sure to pack a golden or silvery punch!

No matter what you decide, having a canvas giclée embellished is a great way to customize an art print and create a truly unique art piece that is perfect for your wall!

Go With The Flow: Fluid Abstracts

***featuring “Silver Storm” by Laura Van Horne***

A big abstract image hanging on your wall can add the perfect modern touch to your design. But with so many different styles of abstract artwork, it can be hard to find the best one for your space. One style that can add contemporary detail with soft lines and organic shapes is fluid abstract imagery. Reminiscent of water reflections or rising smoke, abstracts with these flowing qualities can bring some soothing style to your space!

We love how hanging fluid abstract imagery can complete your stylish design with a calming and modern finish!

Sharp Design: Decorating with Geometrics

***featuring “Land Schematics II” by Michael Lawrence***

Crisp lines, bold patterns, and vibrant colors; what’s not to love about geometrics?! Bold, shape-based décor can create bright and modern interiors, particularly in commercial design spaces. Geometric imagery can instantly add visual interest to a wall and printing it on alternative substrates such as acrylic or metal will add unique texture. Geometry can help balance and harmonize a space, making simple shaped patterns and prints perfect for a wallcovering. Want to add a pop of color? Geometric wall art with clean lines is an easy way to make it happen or help keep your space cohesive and monochrome. Whether you are designing an office space or a living space, geometrics are the perfect modern trend for a chic design!

From an eye-catching focal point to subtle and sleek accents, there is lots of ways to incorporate geometric shapes into your design!

“Squares of the Past” by Brooke Borcherding

Adding Abstract Art To Your Walls

***featuring “Back Pocket I & II” by Kippi Leonard***

Finding the right art for your wall can add the perfect finishing touches to your design. But with so many art styles and imagery to choose from, it can be a little overwhelming. Abstract artwork is a popular décor trend that encompasses a wide range of imagery and styles. And although it seems like they would work best in a contemporary styled space, abstracts can add interest, color, and invigorating energy to any design. So whether you have a totally modern space, a traditionally furnished room, or somewhere in between, abstracts can find a way on your wall!

Modern Design

Abstract art can give a contemporary and eclectic space some bold and dramatic flair. A large-scale piece will create a beautiful statement in your room and draw your eyes to your wall. Abstract imagery is also a great way to add a pop of color, and it can complement different textures and patterns to complete a maximalist design style.

Traditional Design

**featuring cropped alt of “Rising Veil” by Scott Brems**

Opposites attract with modern abstract art and traditional furnishings! If you have a neutral and traditional space, a colorful abstract painting can create an eye-catching focal point or a neutral abstract can add interest to a monochromatic look. No matter the size, abstract artwork can help tie in the different colors of your room as “classic” meets “contemporary. Even just changing out the artwork on your wall can freshen up your space, and contemporary artwork can enhance your existing traditional furnishings.

Transitional Design

**featuring “Annual Journey” by Ruth Fromstein and “Attraction I &II” by Kippi Leonard**

As more spaces blend modern and timeless elements, these popular transitional styles can reflect individuality and personal touches in the design! Whether you gravitate towards minimalist and neutral spaces or maximalist and bold design, hanging abstract artwork can be the perfect way to complete your transitional space. From encaustic art to acrylic paint on canvas, and from abstract photography to mixed media pieces, you are sure to find the perfect abstract for your wall!

Décor and Design Trends of 2019

Have you been wanting to try a new interior design style or change out your décor? The start of a new year can be the perfect time to refresh your space and redecorate. As 2019 begins, new design trends are forecasted and interiors are transformed with fresh colors, textures, and accent pieces. The prediction is that this new year will bring bold walls, bright hues, and lots of personal touches! For some revamping and redesign inspiration, here are some interior design trends that look like they will make a big splash in 2019.

Black and White

While always a timeless color combination, black and white furnishings are at the top of trending decor items you’ll want to incorporate into your design. The contrasting tones will keep your space balanced yet bold, especially when incorporating dramatic black elements. For more inspiration on decorating in black and white, check out this post!

Patterns & Prints

Large-scale prints and patterns will be making a big impact this year, especially in wallpapers and wallcoverings. Ornate walls in geometric patterns and floral prints are a great way to get a wow effect in your room. And check out this post for more ways to decorate with prints and patterns!

Warm Neutrals

Light and neutral spaces are still going to be popular, with warm earth tones such as sand, ochre, and terracotta keeping spaces fresh and cozy. Cool grays are being replaced with warmer hues in wall colors, furniture, wall art, and more!

“California Coast” by Brooke Borcherding

Figurative Imagery

In this new year, home furnishings and decor pieces will be straying away from the abstract and taking concrete and recognizable forms. Imagery of animals and figurative art are expected to become more popular to add as focal points or accents pieces, and can easily be incorporated in any design style.

Bright and Bold Hues

This year, color is in! We are welcoming 2019 with bright, bold, and saturated tones. Spaces with vibrant color, lots of texture, and maximalist design styles are expected to dominate interior trends and bring new energy. Don’t be afraid of deep-hued walls, jewel-toned furniture, and colorful decor, and check out this post for more jewel-tone inspiration!

Although trends rise and fade, the key to adopting new styles and ideas is to personalize your space, and don’t be afraid to make a statement! And however you decide to shake up your design, we hope you have a wonderful and successful year!

Happy Holidays!

photograph by Aaron Matheson

Now that it is officially the first day of winter and Christmas is just days away, we are in full holiday mode! With cooler temperatures and shorter days, ’tis the season for winter whites & blues, evergreen accents, and warm fabrics. We’ve rounded up some great wintry images for your walls that pair perfectly with pops of red, shimmery metallic accents, and soft textures for a cozy space!

: “Winter Forest 2” by Julie Devine

: photograph by Keith Morgan

: “Keep Cool II” by Liz Jardine

: “Iceberg 2”

: photograph by Nancy Crowell

: “Winter” by Laura Van Horne

: “Winter Range” by Julie Devine

: photograph by Aaron Matheson

And from all of us at Third & Wall, we wish you a very happy holiday!

Finding The Best Pieces for Your Dining Room

With the holidays right around the corner, tis the season for lots of celebrating and entertaining guests. No matter how big the guest list, hosting takes a lot of work and can require a long to-do list. While there is a lot to remember, one way to elevate your hosting game is with your décor. As the dining room takes center stage during the holiday season, wall art and décor can help set the perfect ambiance for socializing and indulging in a delicious feast. We wanted to share some tips and tricks for finding the perfect pieces for your dining space, any time of year!

Multiple Images

If you have a large wall to cover, adding multiple images is a great way to utilize the space. Diptychs and triptychs make it easy to
hang multiple images and keep the wall cohesive, or you can break up one image in multiple pieces. Gallery walls are also a great option for showcasing artwork, family photos, and decor items all on one wall. Large pieces of art can help expand a small space, especially one without windows, so don’t be afraid to go big!

Make A Statement

Go bold in your dining space and make an impact! Adding a wallcovering of a print or pattern to your wall(s) is a great way to make a statement. Create depth in your space with contrasting colors and textures, and mixing in wood or metal accents can add natural elements to your space. When deciding your dining room colors and design, think about how it can complement your entertaining style. Rich and warm reds can activate your space (and appetites) while incorporating gold or silver can add drama and elegance.

Work With What You’ve Got

Each dining space is unique, so work with what you’ve got! Find wall decor that fits within your windows and enhances any architectural details. If you have shelves or a mantle, you can use them to display art and decor without any hanging. You can also use your tableware and the details of the room to help guide your art selection. If you change your décor to get into the holiday spirit, switching out your artwork can be a great way to help make the room feel festively cohesive. For Thanksgiving, adding autumnal themed paintings and photographs can get you and your guests ready for a turkey feast. As winter approaches and you break out your Christmas decorations, try switching out your wall art for winter-themed images to match the season!

Decorating In Black And White

Black and white is a timeless color combination that will keep your space feeling both classic and modern. The contrasting tones can add sophistication and drama to any room, not matter your design style. From bold stripes to matte black walls, there are a lot of great ways to decorate with this chic color trend. Whether you go for a complete monochromatic look or just want to add some black and white accessories, hanging black and white artwork on your walls will help complete your stylish look!

If your room is light or white, adding black accents can create a stunning contrast that will never go out of style. Painting a wall black, even if it may seem scary, can help your room feel more cozy and intimate, with crisp white accents and warm woods creating a perfect balance.

If you want to start with smaller doses, incorporating the striking color combo in your trim, patterned upholstery, or artwork can elevate a space and emphasize different aspects of the design. And hanging black and white photography on your walls is always a classic way to bring these timeless tones in to your space.

Guaranteed to create a sophisticated and classic aesthetic, this color combination has proven time and time again that it is here to stay. And did you know that we are able to customize and recolor our imagery to fit your design needs? If you see an image you’d love in black and white, we can help!

From The Studio of Nancy Ngo

We would like to introduce you to our newest artist at Third and Wall, Nancy Ngo! Born in Chicago but transplanted to Arizona as a young child, Nancy grew up learning an appreciation for contrasting landscapes. She developed an eye for the difference in the way light reflects on different terrains in the country. Nancy returned to Chicago after high school and received her Bachelor of Fine Arts degree with an emphasis on Painting and Art History from The School of the Art Institute of Chicago. And once again, she moved back to Arizona where she currently resides with her culinary artist husband and their three daughters.

Nancy’s awareness of the play of light and shadow and its effect on color plays an important role in her work today. The dichotomy of the natural desert landscape of Arizona versus the urban downtown environment of Chicago led her to a certain “no rules” style of painting. Her paintings are highly textured and raw, sometimes with an unfinished quality in which the work holds a kind of potential energy and freedom. Nancy continues to explore new avenues in her work, even with new materials. She is fascinated by the discoveries made while creating each new piece of art, allowing her style to change often in order to keep her painterly freedom.

What do you first do when you get to the studio in the morning?

It depends on the day of the week… ship day, prep day, planning day or painting day. Obviously, my favorite days are when all the canvases are prepped, then I get started painting right away! If nothing is prepped, I like to take care of regular business stuff, checking emails and updating my planner and goals for the day or week, and then I can get to work.

How many paintings do you work on at a time?

Too many! If I have an order, I will work on a painting start to finish with no interruptions. More often though, I have so many ideas, sometimes I prep too many at once and have them sprawled out all over the studio.

Do you have a dream project that you would like to work on?

Anything extremely large scale. I love to work BIG.

If you could paint with anyone, who would it be?

Oh my gosh, alive or dead? I’m inspired by artists of all genres… Kandinski, Egon Schiele, Michiko Itatani, Judith Godwin, Agnes Martin, David Hockney, Christine Tarkowski, Mike Kelley, Susanna Coffey, Bruce Nauman, Wolfgang Laib, James Turrell, Bill Viola… I could go on and on and on.

What’s your favorite way of generating ideas and inspiration?

If I am away from painting (on vacation) for a while, I usually come home and paint in a frenzy. I also like to look at magazines of all kinds.

How has your art evolved over time?

My work is ever changing. It’s often reflective of, or in response to, what’s going on in my life. I think it’s definitely become more complex. I’m trying to simplify it again.

What do you like most about your work?

The layers and heavy textures.

What is one word that best describes your style?

Dynamic

Is there an idea you would like to explore?

I’ve been wanting to explore figurative work, but it doesn’t come to me as easily as painting abstracts.

What is your favorite time of day to paint?

Any time I can get in the studio.

Do you ever get “stuck” on a piece? If so, what do you do?

Yes! If I think a painting becomes overworked, I paint over nearly the whole thing with white and leave only my favorite moments.

What is up next on your easel?

A few abstracts and a portrait… maybe.

From The Studio of John Burrows

Meet our artist John Burrows! After becoming infatuated with the arts at an early age and studying at the Los Angeles Art Center College of Design, John worked at two architectural firms and started his own commercial interior design company in 1975. He enjoyed design so much it became his business while art became his passion. After 35 years, John closed his design office to pursue his art career full time and has never looked back.

John initially used acrylic paints but later switched to oil paints and, once again, he never looked back. He loves vibrant oils and the fact that the paint stays wet while being worked. He loves impasto painting with large brushes that enhance his impressionistic works. To be even more expressive, he started applying paint with large drywall knives, which he calls “blades.” This allowed his paintings to became even bolder with movement and texture. His paintings range from abstract expression to pure abstracts. He never gets tired of experimenting with new materials and techniques while also constantly engaging with and learning from other artists.

What do you first do when you get to the studio in the morning?

My studio is in my home so it is always there, calling me. Quite often I go to Starbucks for a latte before I start painting.

: “Guardian Angel”

: “Poolside 2”

: “Ocean Fence” by John Burrows

: “On the Beach”

: “My Secret Spot” by John Burrows

How many paintings do you work on at a time?

I work on only one painting at a time.

“Fall at Soba Commone”

Do you have a dream project that you would like to work on?

I love working large. A small painting for me is 30 x 30. Most of my paintings are over 1200 square inches. I’ve had a few commissions in the past that have required a very large canvas. One was over 7,000 square inches. I love going large.

If you could paint with anyone, who would it be?

Gerhard Ricter or Edgar Degas

What’s your favorite way of generating ideas and inspiration?

Observing nature and touring galleries, appreciating other artists.

: “Invincible”

: “Emergence”

: “Every Which Way” by John Burrows

: “Coming Home”

: “Tribal”

: “When Harry Met Sally”

How has your art evolved over time?

My original focus was on architecture, then on ethnic figures and I was using large brushes. Now I focus on abstract impressionism using large blades in order to avoid detail.

What do you like most about your work?

“Boom Times II”

“Boom Times I”

The whimsy, the expressionism and the lack of detail.

What is one word that best describes your style?

Energetic

Is there an idea you would like to explore?

More minimalism

What is your favorite time of day to paint?

I usually start in the morning after a run to Starbucks.

Do you ever get “stuck” on a piece? If so, what do you do?

Sometimes the idea I had in my head turns to mud in reality. I’ll spend all day trying to save it but once it goes south, it’s a waste of time. I will scrap off all the paint and use that canvas another day.

What is up next on your easel?

I have several ideas in my head but I usually wait for the whimsy to take over.

: “Dock Tight”

: “OK Finish Line”

: “Lady of the Lake”

: “Aerial”

: “Chutes Up” by John Burrows

: “Stealth”

: “The Big Reveal”

: “Bow Spray” by John Burrows

: “Jewel of the Sea”

From The Studio of Leah Rei

Meet our artist Leah Rei! Leah has been creating from a young age which led her to study Fine Arts with an emphasis in Painting at Arizona State University. She finds a great deal of inspiration in nature, and is often drawn to creating works that honor this. When in need of a muse, Leah takes to the trails, hiking to clear her mind and refocus. Working mostly in fluid acrylics, her art is an exploration of color, light and texture with the desire to represent all that inspires her with a sophisticated and thoughtful touch.

What do you do first when you get to the studio?

Turn on the music! Nothing gets me into the “zone” faster than finding just the right station to paint to. Painting in the “zone” feels almost like a runner’s high. Everything is working in harmony: your body, your mind, the paint. The gratification of finding that place of creativity is indescribable. I hunt for the “zone” every day.

How many paintings do you work on at a time?

As many as possible! I find myself needing to have multiple pieces going so I don’t get too attached to any particular one. This is not to say that I don’t put great amounts of care into my works, but rather that when I become too attached, I lose the ability to see the piece clearly, to make changes, and, more so, to be surprised by where the piece is taking me. Creating each piece is like going on a journey, the best sights to see are the ones you didn’t know were there.

: “Spring Air”

: “Summer Sunkissed”

: “Nexus III” by Leah Rei

: “Spring Blooms”

: “Blushed Bouquet”

: “Wild Flower Bouquet”

Do you have a dream project that you would like to work on?

“Drifter”

Hmmm… tough question. I love working large. If I had a dream project, it would be something big, site specific, and where a lot of people can enjoy it. By site specific, I mean creating a piece for a specific location, wall, building, etc. It can be a lot of fun drawing inspiration from your surroundings and creating a special piece with this in mind.

If you could paint with anyone, who would it be?

Helen Frankenthaler. I am drawn to her confidence, large works, and need to express what she saw and experienced. Mrs. Frankenthaler once said about her own works, “my pictures are full of climates, abstract climates. They’re not nature per se, but a feeling.” I feel similarly about my own pieces, as they are an expression of nature not necessarily a direct depiction.

What’s your favorite way of generating ideas and inspiration?

Getting outside, fresh air, and nature. My strongest ideas come when I make room for them. A lot of times this is about slowing down and getting in a good hike.

How has your art evolved over time?

I have always had a need to create in me. I started taking art more seriously in high school before deciding to study it in college. Because art has been so prevalent in my life and education, my early works were more technical and somewhat realistic. Over the years, my work has become more and more of an expression of what I see and feel. I am grateful to have such a foundation and technical background but what good is having rules if you can’t break them.

: “Floral Notes”

: “Peaceful Views”

: “Traveler”

: “Cool Breeze”

: “Entwined” by Leah Rei

: “Seasons Come”

: “Blue Magnolia II”

: “Tipping Point” by Leah Rei

What do you like most about your work?

“Meandering”

That I get to be the one to make it. I feel incredibly lucky every day that this is my career.

What is one word that best describes your style?

I am not sure one word is enough but if I had to choose probably fluid.

Is there an idea you would like to explore?

I have been thinking a lot recently about how creating is a balancing act. There is a duality that I find fascinating. Art and creating at its best is found in the space between intention and intuition, calculated and spontaneous, vulnerable and strong, knowing and discovering.

: “Hydrangea”

: “First Blush”

: “Sterling Impressions”

: “Warm Waves” by Leah Rei

What is your favorite time of day to paint?

“Whistful”

Early in the morning or late afternoon/evening. The light is amazing.

Do you ever get “stuck” on a piece? If so, what do you do?

Absolutely! Sometimes I just have to put that piece away and get some distance. Looking at it, studying it, hemming and hawing does not get me any closer to completing a piece. Pieces that I am stuck on go in a different room, out of sight, out of mind. I then get to find them later and be surprised by what they have to offer.

What is next up on your easel?

Lots and lots! I have been thinking about a series of landscapes that work with the idea of duality, made up of marks both spontaneous and intentional. Additionally, some more abstract pieces that are light, bright, and airy.

: “Amarantine”

: “Lilacs”

: “Content”

: “Distant Light”

From The Studio of Scott Brems

We are excited to introduce one of our newest artists, Scott Brems! Scott studied painting at Arizona State University and Scottsdale Artists’ School, and he works in acrylic and mixed media painting in his Arizona studio. His work explores the deeper emanations of the natural world, breathing new life into traditional landscape. Enriched by a lifelong relationship with the American West, Scott’s naturalistic reimaginings reach beyond the visual experience to evoke the visceral. We love the bold brushstrokes and colorful shapes in his work, which encompasses a diverse range of styles.

What do you first do when you get to the studio in the morning?

I usually turn on music and evaluate the current paintings to get my direction for the day.

How many paintings do you work on at a time?

I like to have several paintings, 5 or 6, going at once.

: “Reticent I” by Scott Brems

: Reticent II

: Reticent III

Do you have a dream project that you would like to work on?

Passages

One dream project is a painting expedition involving a mobile studio and outdoor adventure. It would be the painting studio meets Desert Solitaire.

If you could paint with anyone, who would it be?

Edward Abbey

What’s your favorite way of generating ideas and inspiration?

My favorite inspiration and ideas often come to me during hypnagogia–the transitional state of consciousness between wakefulness and sleep.

: Red Seven

: Blue Horizon

: “Traverse I” by Scott Brems

: Blush

: Traverse II

How has your art evolved over time?

I started with a traditional background and education, which I still draw from when creating contemporary abstract work.

The Chant

What do you like most about your work?

I like the fusion between traditional and contemporary elements.

What is one word that best describes your style?

Eclectic best describes the variety of work I create.

Is there an idea you would like to explore?

I have some ideas incubating that involve using new mediums and materials.

What is your favorite time of day to paint?

Discipline is healthy. I try to keep a regular 9-5 schedule in the studio.

Guardian

Do you ever get “stuck” on a piece? If so, what do you do?

This is why I like having several pieces going at once; I can move on to another painting. However, I do take a break when needed and get out of the studio, and then I come back with fresh eyes.

What is up next on your easel?

On deck is a series of contemporary figures.

: Traveler

: Mercurial

: Silverscape

All of these images by Scott Brems are available in our Print-On-Demand collection, and stay tuned for new images on our site. Some areas of our website are password-protected. If you are a member of the trade but don’t have full access to our website, www.thirdandwall.com, please contact us at customerservice@thirdandwall.com.

Art Highlight: Encaustic Painting

You have probably seen encaustic artwork, but how much do you know about the painting medium?

The use of hot wax and damar resin (crystalized tree sap) gives encaustic painting its vibrant layers. Artists use a wide variety of techniques to create a range of styles in this medium, and on substrates such as wood. The hot wax is brushed on the substrate and can be layered for a more opaque effect, combined with pigment for color or collage materials, or scraped for different finishing textures. The endless creative possibilities of the encaustic process can be especially fulfilling for the artist, and the works of art they produce can really resonate with the viewer. Our artists Laura Van Horne and Corrie LaVelle create gorgeous encaustic paintings, and we wanted to share their experiences with painting in this medium.

In a personal statement, Laura Van Horne shares what draws her to encaustic work, “I find encaustic wax paintings very satisfying to work on as they are multi-sensory. The smell of the wax, the texture, the sound of the hotplate cracking as it heats up or cools down, the vibrancy of colors, and the sheen of the cooled wax entice me”. These encaustic paintings by Laura Van Horne (below) exemplify the vibrancy and texture in her encaustic painting that we love! With so many different colors and styles, you can easily find encaustic artwork that will make a gorgeous statement on your wall.

We love how beautifully Corrie LaVelle describes her personal experience as an artist and why creating encaustic art is so meaningful to her, “Encaustic art is necessary to my life. It is where I spell out my personal journey into every piece. To have the ability to share that experience, and allow the viewer to choose their interpretation of and apply it to their own personal path is a joy”. Corrie LaVelle’s beautiful encaustic work (below) has a distinct style and makes a stunning statement with its fluidity and layers of colors!

The encaustic pieces featured in this post–and lots more!–are available in our Print-On-Demand collection and Poster collection. We also have some original encaustic paintings available on our website, with the unique texture and depth that an original encaustic piece offers.

Some areas of our website are password-protected. If you are a member of the trade but don’t have full access to our website, www.thirdandwall.com, please contact us at customerservice@thirdandwall.com.

What do you love about encaustic artwork?

From the Studio of K. Nari

Meet one of Third and Wall’s newest artists, Nari! Originally from Seoul, Korea, Nari moved to Los Angeles with her family when she was eleven years-old. With a naturally creative talent, she studied fine art throughout her childhood and into college. Her career as an artist has taken her from editorial illustrations for magazines and publishing & record companies to becoming an independent artist, currently. The subject matters Nari enjoys most are florals, abstract, transitional, and landscapes, but she also enjoys exploring a variety of other subject matter. Textile design, fashion and interior design are the primary inspiration for her artwork.

What do you first do when you get to the studio in the morning?

I make my parlettes and make sure the canvases are prepped and ready to go.

How many paintings do you work on at a time?

Usually two to three.

: “Amaryllis” by K. Nari

: “Azalea Spectrum” by K. Nari

: “Scarlet Summer”

Do you have a dream project that you would like to work on?

“Iridescence Peak”

I’d like to paint large-scale murals

If you could paint with anyone, who would it be?

I would paint with Michael Bond. I would like to see and learn his painting techniques.

What’s your favorite way of generating ideas and inspiration?

I look through interior design and fashion magazines and sites.

How has your art evolved over time?

With an illustration background, I used to do a lot of portrait painting. Now I love painting floral, abstract, and transitional art.

What do you like most about your work?

The movements and layers of paints.

: “Jeweled Horizon” by K. Nari

: “Destination” by K. Nari

: “Felicity”

What is one word that best describes your style?

Modern

: “Flicker”

: “Aqua Fields”

: Botanical Illusion

: “Blue Magnolia”

Is there an idea you would like to explore?

“Rolling Hill”

I would love to explore textile design.

What is your favorite time of day to paint?

Mid morning and late evening

Do you ever get “stuck” on a piece? If so, what do you do?

Yes! I walk away and work on something else until I figure it out.

What is up next on your easel?

I am recreating an abstract painting on canvas, which was originally done on paper in a smaller size.

All of these images by K. Nari (and more!) are available in our Print-On-Demand collection. Some areas of our website are password-protected. If you are a member of the trade but don’t have full access to our website, www.thirdandwall.com, please contact us at customerservice@thirdandwall.com.

Get the Scoop: Ice Cream Colors

***Featured artwork is “Cotton Candy Dreams I” by Lisa Ridgers***

Today’s color trend is inspired by one of our favorite summer treats… ice cream! And with Sunday being National Ice Cream Day, we thought it would be the perfect time to talk about the bright, pastel ice cream colors we’ve been seeing in design. The interior design world has been bursting with delicious color this spring & summer, and adding brights & pastels are great way to refresh and lighten up your space, especially during the warm months.

**“Daydreaming” by Randy Hibberd (top left) and “Sea Coral II” by Patti Mann (bottom right)**

If you are wanting to add some lilac, bubble-gum pink, mint green, or apricot to your space, there are lots of ways to scoop this trend right up. You can go bold and paint your wall(s), decorate with perfect pastel-toned furniture, or start small with décor accent pieces.

And if you’d love to adopt this trend without completely renovating your space or are hesitant to go all out with these yummy colors, adding artwork with these pastel tones to your walls is a great solution. Sometimes the airy and lighter hues are easier to incorporate into your space and seem less daunting, but they still bring a fun and colorful energy with them. And with a variety of imagery in these dessert-inspired shades, from abstracts to florals to sunset photographs, you are bound to find a piece you will love!

The beauty of designing with color is that you can express yourself and personalize your space to reflect your style. So whether you go bold by mixing multiple bright pastels in your room, or start small by accessorizing with one softly toned ice-cream color, decorating with this scrumptious color trend can add just the right flavor.

All of these images are available in our Print-On-Demand collection on our site, and you can search by color scheme, such as Brights and Pale Tints to find just what you are looking for.

Have a happy National Ice Cream Day and treat yourself!

From the Studio of Linda Stelling

We have another artist to share with you! Growing up in an artistically-rich family of painters, craftsmen, musicians, and floral colorists, Linda Stelling was bound for the art world. Her art career has taken her many different places, and now she is continuing the work she began as an abstract expressionist many years ago. She is fueled by her interest in color and the dream studies she has been exposed to for so long. Linda is in the studio every day, and when she’s not, she is planning and studying for the next artwork.

What do you first do when you get to the studio in the morning?

Stretch! I stand all day so it’s important to me to maintain flexibility.

How many paintings do you work on at a time?

It depends. Sometimes I concentrate on only one, especially if it’s really big, but frequently I have several going at a time. If something stays in the studio unfinished too long, I tend to change it.

Do you have a dream project that you would like to work on?

Yes, to be given the opportunity to create for a really large space. I like my work to have ample room to breathe. A nice large, open museum would work.

If you could paint with anyone, who would it be?

Monet for sure. He and I have many of the same artistic principles and very much the same vision. We share a similar color palette, subject matter, philosophies and family values. He and I share a love of gardening and of a simple beautiful flower.

What’s your favorite way of generating ideas and inspiration?

I am always looking and thinking how my internal experiences can meld with my external creativity and perceptions. I often take my dreams and use part or all of the memory to form the beginnings of an idea for a painting. I try to parley the connection of our mental health, to our creative selves; which I feel we all experience on some level.

How has your art evolved over time?

For many years, I painted on a commission basis, which proved to be an incredible training ground. I was able to work quickly and produce just about anything. When I stopped, I was temporarily lost. It was only when I began listening to myself and not caring what anyone else thought, that I began to be truly satisfied with my own work.

What do you like most about your work?

My work has so much energy and life. I am a colorist by nature and I enjoy making the color move to what has been described as a “Psychic Vibration.”

What is one word that best describes your style?

Expressive.

Is there an idea you would like to explore?

Anything curvilinear delights me!

What is your favorite time of day to paint?

Morning and afternoon – until I lose the light.

Do you ever get “stuck” on a piece? If so, what do you do?

Turn it upside down!

What is up next on your easel?

I’m developing an abstract series based on Monet and his gardens at Giverney.

Linda’s work is available in our Print-On-Demand collection. Some areas of our website are password-protected. If you are a member of the trade but don’t have full access to our website, www.thirdandwall.com, please contact us at customerservice@thirdandwall.com.

From the Studio of Pablo Rojero

Artist Pablo Rojero’s work graces interiors all over the world, and it’s easy to see why. His captivating style is apparent whether he’s working on abstracts, cityscapes, landscapes or figuratives. Not only is Pablo an accomplished artist, he’s also a delightfully warm and open individual, an engaging conversationalist, and is dedicated to his family and his work. Versatile and energetic, he is always open to exploring new ideas and creative avenues.

Pablo Rojero

What do you first do when you get to the studio in the morning?
The first thing I do in the morning is take my twin sons to school. After that i usually have breakfast with my daughter.

How many images do you work on at a time?
I usually work on two to three; I lose focus if I put too many on the wall.

Rustic City

Do you have a dream project that you would like to work on?
My dream project would be to start an art program geared to help children with autism, as both my sons have autism.

If you could collaborate with anyone, who would it be?
I would have loved to paint with William Bouguereau, he was an amazing academic painter.

Pablo at work
What’s your favorite way of generating ideas and inspiration?
I was taught by a mentor to look at my surroundings everywhere I go, to look at every detail, from texture on the street to how light affects objects. I constantly do this as it builds my repertoire of ideas.

How has your artwork evolved over time?
My art has become more free and balanced. I’ve learned when to stop and say “it’s done” as I used to overcook the art.

What do you like most about your work?
I really like the layers on my art, I feel that it is a crucial process in my paintings. You’ve got to let the art breathe.

Del Mar, California

What is one word that best describes your style?
Spontaneous

Is there an idea you would like to explore?
I would like to explore figurative art a bit more.

What is your favorite time of day to paint?
I like 10:00 am. By then I’m fully recharged and ready to go.

Do you ever get “stuck” on a piece? If so, what do you do?
I get stuck on pieces all the time, and when it happens I’ll just go back to something that worked in the past.
I sometimes play some guitar or hit the drums which shifts my thinking, it helps a lot. The artist's studio

What is up next on your easel?
I’m currently working on Neutral tone abstracts. I’m using silver and gold leaf as a new element in my work. I’m incorporating elements of texture that I observe in the environment, for example cement, the patina on antique furniture etc.

: Continental Drift II

: Gold Coast

: Newport I

: Paris in Motion

: San Francisco Bay

: City Dreams

Pablo’s works are available for Print-On-Demand and licensing, and a selection of his images are available in our Original and Poster collections. Some areas of our website are password-protected. If you are a member of the trade but don’t have full access to our website, www.thirdandwall.com, please contact us at customerservice@thirdandwall.com.

From the Studio of Kelsey Hochstatter

From graceful abstracts to haunting figuratives, whimsical children’s images to transitional landscapes, Kelsey Hochstatter’s artwork claims both masculine and feminine appeal, making it ideal for (and very popular in) all interiors, whether corporate, residential, hospitality or healthcare. And her style is always uniquely Kelsey!

What do you first do when you get to the studio in the morning? Dive right in!

How many paintings do you work on at a time? Sometimes only one, sometimes a few. If I’m doing a series of panels, or small pieces that work as a group, I work on them together bouncing from one to another and progressing from sketching to painting to collage.

Do you have a dream project that you would like to work on? I would love to work on an extremely large-scale mixed-media piece. Something that takes at least a year to complete and requires scaffolding and my climbing gear to reach the top.

If you could paint with anyone, who would it be? Amongst others, I would love to paint with, and glean from, Anselm Kiefer.

What’s your favorite way of generating ideas and inspiration? There are so many ways. One of my favorites is walking through a vintage flea market with my husband, digging through memories, realizing nostalgia in entirely new ways. I gain a lot from this. My neighbor recently gave me piles of vintage ephemera for my studio. Every single piece had meaning. Someone had saved each item for some reason meaningful to them. I love having this stuff at my fingertips. I can give it new life; freeze it in time.

How has your art evolved over time? As a child I sketched often. When I started painting seriously in college I was focusing on painting and printmaking. My paintings were originally strictly paintings. Just paint. I started experimenting with mixed media around ’06. Still, more paint than not. Since then I’ve noticed more and more collage has come into my work. The work I’ve really planted roots in and am most passionate about involves sketching, painting and vintage ephemera collage. When I can exercise various techniques and create a piece that truly ‘works’ while doing so, I’m happy.

What do you like most about your work? The attempt at nostalgia.

What is one word that best describes your style? Nostalgic.

Is there an idea you would like to explore? I am intrigued by how much texture could be used in order to gain more and more interest and depth while still maintaining 2-dimensionality.

What is your favorite time of day to paint? Late afternoon/ early evening. I’m a night owl who loves to paint until my eyes go blurry, but I find that I am most energized and in a groove during those hours.

Do you ever get “stuck” on a piece? If so, what do you do? Sometimes. When I’m stubborn and try to work through it I usually just prolong finding the answer. Stepping away often helps, but leaving the studio is hard. Asking my 3 year old son what he thinks can also shed some light on the situation. Toddlers have a nice way of seeing the world, and art.

What is up next on your easel? A new series involving figures, layered numbers, and vintage ephemera.

Kelsey’s intriguing images can be viewed in the Posters, Print-On-Demand and Originals sections of our website. Some areas of our website are password-protected. If you are a member of the trade but don’t have full access to our website, www.thirdandwall.com, please contact us at customerservice@thirdandwall.com.